Here is an example of how a live concert type shoot was done that I worked
on....Multi camera shoot (6 cameras) each camera had its timecode synced
from one souce that also synced the audio recorder. In the edit, the audio
track was layed down and its timecode matched the timeline timecode and the
and then each clip had timecode that matched where it should be in the
timeline. You could just pick which shot you wanted with no worry that the
images would not sync with the video. It was not switched live. In addition
we had a couple of roving cameras that recorded crowd reaction etc. Footage
from these were much less critical and could be pretty much placed anywhere
you wanted. These cameras did not have synced timecode.
Regards,
Richard Peoples
Jeff,
I would be willing to bet that the audio and video were shot, edited and
recorded live. With the use of a production switcher, you can switch to any
camera at anytime during the concert. They most likely got a live 'feed'
from the audio mixing board, and then combined it with the video in the
switcher and sent the feed straight out to any ome of severaly sources,
including a DV deck.
Tom
Jeff <[EMAIL PROTECTED]> wrote:
While watching a video of a concert I got to wondering how the video
was shot and edited so that the music flowed uninterrupted even as the
scenes jumped back and forth.
Is the music on a single track (recorded seperatly from the video) and
then the music on the different scenes used as the que for the video?
Thanks,
Drnec
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