I've shot aprox 15 hours of hockey matches, and there is a BIG "watch out":
The lights are often good enough, but be aware that they aren't "white"
before they are properly warm. Therefore, DO NOT white-balance until you are
certain you have the "right white".

Sune!

On Thu, Jul 24, 2008 at 2:38 PM, btorreano <[EMAIL PROTECTED]> wrote:

>   --- In [email protected] <Adobe-Premiere%40yahoogroups.com>,
> "Jean Brouillette"
>
> <[EMAIL PROTECTED]> wrote:
> >
> > Hi there!
> >
> > Soon I'll be shooting a hockey goalie documentary inside a hockey rink.
> >
> > Any do's and don'ts ?
> >
> > PS : I'll use my SONY HDR-FX7
> >
> > Thank's for any input!
> >
> > --
> > Jean
> > Boston, Mass : The HUB of the Universe
> >
> >
> > [Non-text portions of this message have been removed]
> >
> Watch your light and colors closely; my company shot in an indoor
> soccer rink a few months ago (and during the winter it is a hockey
> rink), and the overhead lighting was exceptionally dim and flat.
>
> We spent a very long time setting up our shots because of the poor
> lighting, although you are lucky because the white of the ice will
> create a bounce that we simply did not have. If you can get in early
> enough to check out some of your shots on an external monitor, do it!
>
>  
>



-- 
Dunderfilm // Sune Alexandersen
Se oppdatert webside: www.dunderfilm.no
Tlf :924 88 111


[Non-text portions of this message have been removed]


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