Lee, 

I had the pleasure of balancing one of the big studio size cameras on my 
shoulder for this shoot. Not an easy chore with just a shoulder pad. The camera 
is more suited for a tripod. Too back heavy. Plus this was my first hand held 
shoot and there was a lot of moving around on the sidelines. Of course I'm 
great with the tripod! We all are. We did have 2 other cameras up on top of the 
announcer's building above the stands so They are just going to have to use 
only my good stuff and fill in the bad with some overhead footage. This all 
gets edited for airing on the local village TV cable channel. Off hand I can't 
remember the camera model# so don't nobody ask. Yeah all the still 
photographers had their poles. Believe me I wish i had one too my arms were 
killing me.

I was just hoping that as much as possible that I shot could be saved The other 
2 cameras were overhead views I had the only one down on the field. I was the 
goto shooter for replay footage.


Thanks
Matt




--- In [email protected], Lee Menningen <l_mennin...@...> wrote:
>
> When you say "full zoom" and depending on the zoom power, sometimes it is
> very possible that the individual frames of the video may be plagued with
> the motion - i.e., not very sharp or outright blurry. While the shutter is
> open, at higher power the image slides further across the sensor than with
> lower powers. Stabilization software cannot correct for that.
>  
> When using a high zoom it is best to consider using a tripod. Actually I've
> tried using a railing or pole and even with that support, I find I cannot
> track the subject smoothly (although I think there are some cameramen who
> can do that pretty well.) So I tend to use a tripod equipped with a fluid
> head.
>  
> Lee
>  
>



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