By the way, IRIDAS (end of 2nd paragraph) was purchased by Adobe last
September.
Lee
From: [email protected] [mailto:[email protected]]
On Behalf Of lmenningen
Sent: Wednesday, November 30, 2011 11:33 AM
To: [email protected]
Subject: [AP] 120fps For What It's Worth
I've often shied away from the "I want the 24fps look of movies" idea
because, in my opinion anyway, theater movies are duller and blurrier than
non-movie-industry videos shown on computer monitors or projectors.
Today I got my ah-ha! I read an interview (on COW) with Douglass Trumbull
who has been working on developing 120fps for Hollywood (since way back in
the 80's). He says 24fps is about the max one can get from film
economically, whereas digital "changes everything". He says "we had done
laboratoy tests to see the impact of high-frame rate images on viewers"
concluding that higher rates "profoundly increased the viewers' visual
stimulation". And so they are working on developing cameras, projectors and
screens for brighter images, and the editing process to accomodate it. He
says "I am working with projector manufactors (Christie) and doing
experiments with 120fps in 3D" and "...with IRIDAS...writing code to handle
high frame rates so you can edit at 24fps and make it match up to 120fps."
"I'm trying to demonstrate what it'll look like when you project at 50-foot
lamberts on a giant curved screen at 120fps in 3D."
All this might affect Adobe Premiere and you someday!!!
Lee
[Non-text portions of this message have been removed]
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