I got a "spam" today for the new Sony F65 which has 4K resolution.
Before we know it we'll be shooting and editing in 4K @ 120fps even
though the 60fps I've been shooting with with the Panasonic AF100 is
good enough already. It also depends on WHAT you shoot of course, and
what for. I think for most niches the higher 4K resolution will fill
a bigger gap than higher frame rates.
Rieni
At 30-11-2011 17:33, lmenningen wrote:
>
>
>I've often shied away from the "I want the 24fps look of movies"
>idea because, in my opinion anyway, theater movies are duller and
>blurrier than non-movie-industry videos shown on computer monitors
>or projectors.
>
>Today I got my ah-ha! I read an interview (on COW) with Douglass
>Trumbull who has been working on developing 120fps for Hollywood
>(since way back in the 80's). He says 24fps is about the max one can
>get from film economically, whereas digital "changes everything". He
>says "we had done laboratoy tests to see the impact of high-frame
>rate images on viewers" concluding that higher rates "profoundly
>increased the viewers' visual stimulation". And so they are working
>on developing cameras, projectors and screens for brighter images,
>and the editing process to accomodate it. He says "I am working with
>projector manufactors (Christie) and doing experiments with 120fps
>in 3D" and "...with IRIDAS...writing code to handle high frame rates
>so you can edit at 24fps and make it match up to 120fps."
>
>"I'm trying to demonstrate what it'll look like when you project at
>50-foot lamberts on a giant curved screen at 120fps in 3D."
>
>All this might affect Adobe Premiere and you someday!!!
>
>Lee
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