On 14/4/08 21:55, "[EMAIL PROTECTED]"
<[EMAIL PROTECTED]> wrote:

> Re: "and that the discussion is proving fruitless."
> 
> What would be fruitful? If I agreed with you?

No, such is a surely banal response.

> In matters
> such as this there is no question of convincing the other
> person. Only the music can do the persuasion. Jazz has
> persuaded me - not to like it.

No, jazz is as much as the term classical music is; it encompasses a wealth
of musical practices and engagements among musicians and audience. Some are
unimaginative others are not. I would not dismiss all classical music on the
basis of lack of interest on my part for any particular range of its
manifestations. Viewed from a distance a landscape merge into its primary
forms, shapes and colours, the closer one moves towards that landscape the
more subtle variations and textures begin to become striking. Viewing jazz
or baroque music from a distance of disinterest is hardly an appropriate
method to evaluate either.

I doubt if you have heard the performances of the magnificent pianist John
Law, or have you? Are you aware of the compositional approaches of someone
like Barry Guy, or the work of the Instant Composers Pool, or work like
Bobby Previte's The 23 Constellations of Juan Miro, or the likes of French
bassist Joelle Leandre. Or the work of Louis Sclavis, e.g., Napoli's Walls,
or of the Swedish pianist Bobo Stenson. Are you aware of the rich variety of
musics and sound textures they produce and the methods whereby they do so?
Or how about the music of Ab Baars and Ig Henneman, particularly their
Floating Worlds Ensemble, are you aware of such? If yes and you are
dismissing this music on the basis of knowledge, then your views are
stronger than if you are dismissing them without knowing simply because you
have placed them into your box of object for contempt with the word Jazz
emblazoned on the outside, not as imaged by Matisse. If you are dismissing
it simply on the basis of putting into the box for contempt because the word
jazz is associated with it, then this discussion is going nowhere...

A few links:

http://www.bobbyprevite.com/miro.html

Joelle Leandre:
http://www.efi.group.shef.ac.uk/mleandre.html

Peter Kowald:
http://www.efi.group.shef.ac.uk/mkowald.html

Irene Schweitzer and Carl Rudiger:
http://www.efi.group.shef.ac.uk/video/vschwei1.mov

Ab Baars:
http://www.youtube.com/watch?v=GbmT2HfNz0w

Louis Sclavis:
http://www.youtube.com/results?search_query=Louis+Sclavis&search_type=

ICP- Monk's Mood:
ttp://www.youtube.com/watch?v=x6Bx3hwfmzw

Enough is enough of the discussion, for the music the above is only a few
fragments loosed from an iceberg.

Toodle-pip,

Allan.

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