Alack, Cheerskep, thou doth produce the evidence that would see me damned!

But, hold, do you really?

Have I not said a miilion times - often in response to Chris, I think
- that all my statements on this matter are *in my opinion*. That is,
I am not appealing to some set of criteria that would - in theory -
ratify my views. I am simply saying what I think is the case.  Where
is the problem?

Moreover, let me turn the tables a little and say, 'What exactly is
this 'is-nees' of which you speak, Cheerskep - always putting it, I
note, in scare quotes?  Let's bring it out of that protective cocoon
and ask what 'is-ness' is (I assume 'is-ness' is something - even by
exception to a general rule?)

In other words, of what exactly do I stand accused?  The condemned man
has at least the right to know as he walks to the scaffold...

DA

------------------------------------------------------

On Sun, May 18, 2008 at 5:29 AM,  <[EMAIL PROTECTED]> wrote:
> I wrote:
> " Derek believes he espies absolute metaphysical
> categories: "This work IS art, that other work IS NOT art." I believe such
> categories are mythical."
>
> Derek responded:
> "I have denied this a million times..."
>
> Alas, Derek, I've found it'd be unreasonable to try to reason with you -- in
> this case with the aim of prompting you to concede you do believe in an
> "is-ness" to "art" and in absolute categories of art/artworks/artness, so I'll
> simply quote you. All of the following are from postings by you. An hour spent
> in
> the archives would, I'm sure, turn up many, many more.
> *****
> I don't think a great sports event is in the same category as a great work of
> art, and any theory of art that said it was would, for me, be very suspect.
>
> things like Bouguereau's paintings, and e.g. airport novels or pop songs, are
> in fact not 'bad art' because they are not
> art at all.   They have the same general observable characteristics as art -
> e.g. an airport novel is a novel just as 'Crime and Punishment' is - but they
> in fact belong to quite different categories of human artefact.
>
>
> There is a difference in *kind* between jazz (rock or pop) and   Mozart. One
> is art the other is not.
>
> I think Malraux hits the nail on the head when he says 'art is defined by its
> poles not by its borders.'   b& trying to define the borders is not
> applicable
> to artb& it is ignoring the nature of the thing it is studying [i.e. art].
>
> 'What is art?'   (which is the central problem of the philosophy of art today
> I would argue.)
>
> What is the function of art in human life?
>
> I have worked out now what I think the purpose of art is and I think it is a
> very important one.
>
> If all reference to art were instantly removed from the planet and the
> thought of "art" as we know it was removed from our brains, would we re-invent
> art
> (assuming we did) for 'entertainment' , to 'express ourselves', to 'decorate
> our world'   (all of which have been suggested as reasons by various writers)
> or
> for some other reason.
> I think 'some other reason'.
>
> I do not, as I have said, think one can *prove* why any given work is a work
> of art - though I am not against 'analysing' the characteristics of a work to
> the extent possible.
>
>
>
>
>
> **************
> Wondering what's for Dinner Tonight? Get new twists on family
> favorites at AOL Food.
>
> (http://food.aol.com/dinner-tonight?NCID=aolfod00030000000001)
>
>



-- 
Derek Allan
http://www.home.netspeed.com.au/derek.allan/default.htm

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