Re: 'Were Greeks proud of the Parthenon? How would we know?"

We know that from reading history.
But, really, I'm quite sure there were a few Greeks who sat grinding
their teeth saying ' What an architectural disaster that Parthenon is!
My son could've done better!  And as for that Phidias, whipping is too
good for him!' ?  But those Greeks were promptly ostracised and never
heard from again.

Re: > How would we even know whether contemporary Australians are proud of the
> Sydney Opera House?

Because it is in the citizenship test.
"Do you like the Opera House?"
"No."
"Right, you're on the first plane back to Bezerkistan."


DA
> RE: 'They may well have been scandalized by what did go up on the
> Parthenon since
> there was nothing quite like it Greek temples before or since.'
>
> "That would explain why they were so proud of the Parthenon  ..."
>
>
>                    *****************
>
> Were Greeks proud of the Parthenon? How would we know?
>
> How would we even know whether contemporary Australians are proud of the
> Sydney Opera House? -- or Chicagoans proud of Sears Tower? (I'm not -- I think
> it's big and nothing more - just like our airport)
>
> I think a discussion of aesthetics has to occur outside these kind of vacuous
> assertions.
>
> The Parthenon sculpture, painted or not, aestheticized the young male body
> like no other monument before the 15th C. -- and that uniqueness needs to be
> considered - rather than attaching its qualities to a general statement about
> the ancient Greeks.
>
>
>
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>



-- 
Derek Allan
http://www.home.netspeed.com.au/derek.allan/default.htm

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