Yes I have made this kind of point myself.  It is part of my own
argument as you should know by this time.  (Read my essay on Art and
History - preferably with care)

Gombrich is not my Satan.  He is too superficial to merit that name.

DA. ferably

On Fri, Jul 11, 2008 at 1:56 AM, William Conger <[EMAIL PROTECTED]> wrote:
> Somewhere in a Gombrich book, Derek's Satan, is
> recounted a story re Maiori Chief who responds to a
> Rockefeller looking for tribal art that "We have no
> art.  We make everything as well as we can."
>
> WC
>
>
> --- Saul Ostrow <[EMAIL PROTECTED]> wrote:
>
>> My intention here was to raise the question of the
>> art part of the phrase -
>> given that much of the materials in question have
>> been aesthetized and
>> transformed into art by western societies - while
>> the indigenous cultures
>> tend to view this material as part of their religion
>> or daily life -
>> declaring this material art in the western sense of
>> the term is comparable
>> to another culture deciding for us that a cocoa cola
>> bottle is as good as it
>> the West gets given that it represents for them a
>> talisman of our profound
>> religious adherence to materialism
>> Chair, Visual Arts and Technologies
>> The Cleveland Institute of Art
>>
>>
>>
>>
>> > From: <[EMAIL PROTECTED]>
>> > Reply-To: <[email protected]>
>> > Date: Thu, 10 Jul 2008 11:11:20 EDT
>> > To: <[email protected]>
>> > Subject: Re: Presence
>> >
>> > Saul suggests:
>> >
>> > " Let us begin with a definition of  all "African
>> art"..."
>> >
>> > No, don't do that. I agree that certainly each of
>> us should describe what we
>> > have in mind with any key term with harmfully
>> fuzzy edges. But clarity -- as
>> > with so many of the notions in philosophy of art
>> -- is always a matter of
>> > degree. And there is a gross enough level at which
>> the term 'African art' is
>> > serviceable enough here. Besides, William did a
>> good job of orienting us with
>> > his
>> > locution: "non-western art:  Prehistoric, African,
>> Oceanic, Japanese, Chinese,
>> > Indian and related topics". We don't need
>> definitions to take advantage of
>> > William's helpful line.
>> >
>> > 'African art', vague at the edges though it is,
>> struck me as a helluva lot
>> > less vague than Benjamin's ostensible notion of
>> 'aura'. I'm not a Benjamin
>> > scholar so I stayed out of that part of this
>> thread. But then you, Saul, gave
>> > by
>> > far the best description of the notion -- only to
>> have it ignored by every
>> > other
>> > lister. Your description of the "aura" of an
>> "original" was interesting to
>> > me: all the emotive trappings that accumulate
>> almost reverentially, and which
>> > are evoked when we're in the presence of the work.
>> >
>> > I could imagine a useful discussion of the
>> distinction between those
>> > evocations and the feelings one might term purely
>> aesthetic as we contemplate,
>> > say,
>> > the Mona Lisa. (I disagree with the lister -- or
>> Artsy6 citation -- that
>> > claimed
>> > there's no "aura" in this sense when in the
>> presence of the Mona Lisa.)   But
>> > as I say your good attempt was ignored on the
>> forum.
>> >
>> > As I predicted, one of our listers -- William --
>> now dismisses Derek's "equal
>> > footing" remark as "elementary". But even that at
>> least concedes Derek had a
>> > point.
>> >
>> > I think I confessed how, when I was a young
>> smarty-pants in philosophy,   my
>> > first motive in reading any new paper was to find
>> something wrong with it in
>> > order to demonstrate that I was sharper than the
>> guy who wrote it. With the
>> > result that I regularly failed to take on board
>> what was right in the paper.
>> > Many listers -- and I admit this includes Derek --
>> display that "Yeah, but
>> > --!"
>> > impulse -- without the "Yeah" part.
>> >
>> >
>> >
>> >
>> > **************
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>> >
>> >
>> > --
>> > This message has been scanned for viruses and
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>
>



-- 
Derek Allan
http://www.home.netspeed.com.au/derek.allan/default.htm

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