It appears that Werckmeister, as a dedicated Marxist, is far more concerned
with the  "hyperbolic" evils of Capitalism today -- and how contemporary
visual culture, both popular and high-end, serves to mask them -- and fails to
provide any kind of criticality.

What did he have to say about the totalitarian states of the 1930's ?

I don't know -- because he has provided all of the illustrations for his
lecture online -- but none of the text -- which may have been a wise decision
-- just letting the pictures tell their own story.

And what a story they tell!

For example:

There's the ugly/monstrous figures of Thorak:

http://faculty-web.at.northwestern.edu/art-history/werckmeister/March_30_1999
/Thorak.jpg

Are these masking the brutality of fascism -- or are they revealing it -- just
like Picasso did in "Guernica" ?

Is Speer's architecture masking the cold, inhuman severity of Nazis in Berlin
-- or it revealing it -- just as  Mies Van Rohe did for  Capitalism in Chicago
?  (and I wonder whether anyone else sees the strong similarity between the
architecture for the Fascist Italian pavilion in 1937 -- and the architecture
for the new, Modernist wing of the Art Institute of Chicago by Renzo Piano)






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