Chris,
Although I agree with your taste, I disagree with you position on Aesthetics. I think an education in aesthetics has to be, and is, much broader & inclusive,
encompassing more than  some  specific classics, or even popular as the
ultimate in taste.
i still feel that everything under the sun may reflect any point of the
entire spectrum choice under the umbrella of aesthetics to any individual
or group of individuals.
mando

On Nov 16, 2008, at 2:06 PM, Chris Miller wrote:


It's like the difference between a world-class gymnast at the Olympics - and a ballerina -- which is a real difference -- even if most people prefer to watch
the gymnasts.

(and yes -- there is some music that seems to have been written just to show off virtuosity -- but nobody puts Paganini at the same level as Beethoven --
do they ?)

There *are* wrong reasons for liking things -- and that is the basis of an education in aesthetics - an education that seems to be completely outside the
scope of the Humanities as we now know them.


                     ******************




But the bigger issue is related to whether or not we can judge anyone's
aesthetic subjectivity. I think not. How is Chris, or anyone, to know what my aesthetic experience is? How can anyone say that another's aesthetic
experience is wrong, or limited, or missing?  This the the fundamental
question we ask about aesthetic experience. Can it be objectively prescribed
or measured? Can we experience art for the wrong reasons?  Are there
proscriptively wrong reasons? I say no. No. No. And No. That's why I quoted Gombrich a while back, his saying that there are no wrong reasons for liking
an artwork. This does not exclude potential amplifications of liking.

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