Mando wrote (off-line):
>"Rand's aesthetics suggests that art should be objective to be beautiful.
Yet, all art can only be subjective, within the full Aesthetic spectrum of
beauty of each individual's or groups idea of what that my be."


If only there were some Randians here -- but I guess  like every other group
in the world's vast catalog of cultures,  sub-cultures, and cults, they share
a certain set of basic assumptions and would rather just talk among
themselves. (just like the community of academic philosophers)

One of those assumptions is a canon of great art that excludes everything that
was considered avant garde after 1900 - as well as many other non-European
things that Malraux included in his museum without walls.

Should that exclusion be considered objective or subjective ?

It's not so much subjective to each of them as individuals -- but rather it's
subjective to their group as a whole -- and yet even certain people who are
outside that group, like myself, can often recognize what they would
include/exclude.

For example, when I first saw the work of Tamara de Lampicka, I just knew that
Objectivists would love her - even though I think she's creepy. (Just as
Cheerskep knew a new book would appeal to a section of the  book-buying
public, whether it appealed to him or not.)

So ... I don't really know how a distinction between objective and subjective
can be applied in aesthetics -- and, indeed, how it can be applied anywhere
except as a rhetorical device ( i.e. "my real evidence is better than your
mere opinion")






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