William makes a good point, Chris. Much of what you say connotes that money 
is the root of evil in art.   

Samuel Johnson wrote most of his good stuff solely to get money. Montaigne 
couldn't have written his essays if he weren't rich. Austen and Dickinson 
couldn't have written without their Dads' providing food, shelter and clothing. 
Mendelssohn, who a recent New Yorker review claims, was a greater boy genius 
than 
even Mozart, couldn't have become so without his rich family. If painters and 
composers in past centuries didn't have patrons, the fruits of their talents 
would have been much less because they'd have had to do something else to turn 
a dollar.  


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