"Ridiculous" snorts William ?

I'm sure that the M.O.M.A. directors of today would react the same way.

But I'm not asking them to do anything other than what curators of historical
art are doing as they sift through millions of pots, figurines, portraits,
icons, landscapes etc, and then select a few on the basis of visual
distinction, regardless of whatever "argument" each piece might be making.



Regarding automobiles, I saw one displayed in the Cincinnati Art museum just
last weekend, right across the hall from the little memorial to the art
catalog design of Noel Martin.

Apparently some big-time collector loans the museum one of his vintage sport
cars on a regular basis. Do the things still run? Who knows? -- who cares?

Granted, it's very difficult to ignore the arguments that can be associated
with the arts of ones own time, which is why William's  generation will always
hate Nazi art, and later generations are so fond of whatever is "P.C." It
takes a special, aesthetic  discipline to set aside such attitudes, and just
focus on visual distinction.

Unfortunately, museums of contemporary art are places where selected arguments
are flouted rather than ignored, which makes them more like display rooms of
fashionable ideas rather than art museums. ( while M.O.M.A is somewhere in
between )


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