All of the mportant Renaissance art scholars think Titian's late works are 
among his best and among the best of any.  There's something very shocking 
about Miller tossing off an opinion of Titian's art.  I'm steeped in art and 
have seen quite a few Titians of all periods and I wouldn't dream of spouting 
an opinion of the master's work.  As arrogant as I am, I am humbled by Titian 
and I think Miller should creep away in shame from his thoughtless statement.   
Almost ditto for his remarks regarding Picasso's late works.
WC

  




________________________________
From: Chris Miller <[email protected]>
To: [email protected]
Sent: Tuesday, March 31, 2009 9:28:45 AM
Subject: Re: On Monday on Charlie Rose: "Picasso: Mosqueteros"

So, what did you think about last night's show, Joseph ?

(for whose who missed it, most of the content can be found here:

http://www.nytimes.com/2009/03/26/arts/design/26picasso.html  )

It made me think of Ian McKellen's "King Lear" (shown last week on Public
Television) -- except that Shakespeare was only 50 when he wrote poetic
rantings for an old lunatic.

Did you buy John Richardson's pitch ?

Was this a "great late period" ?

(I didn't -- but then, I don't think Titian's last works were very good either
-- i.e., if he weren't Titian, nobody would care.)

Since these later works are mostly unfamiliar to us -- this would be a good
opportunity to run a version of the Miller test.

Show the collection to a first year art student, and ask her to do a bunch of
work in the same style.


Then, test to see whether anyone can tell the difference.

BTW -- does anyone know much about John Richardson?  Has he ever written about
art instead of the lives of those who make it?


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