>>"If someone is making a work that unconceals the true essence of
something,that person is making art"

>It's the same as looking or thinking of a chair and drawing a large rock. I
agree. That"s what I've always done, because it's our only choice.   mando


But if your drawing does not unconceal the "true essence" of some identifiable
thing, then you haven't made a work of art, Mando -- at least, according to
Heidegger.

And since art is logical, there is only one true essence for everything (even
for Mando) : if A does not equal B, then the essence of A does not equal the
essence of B. This is especially problematic for a painter like William who
intends to make that  which appears meaningless. I doubt that  Heidegger would
hold that intention against him, but he would only consider William an artist
if he failed to achieve it.

Heidegger is something of an imperialist.

In any period of time, there is one, and only one set of true essences --
there are no exceptions for  cultural diversity. (just as there weren't in the
great totalitarian states of the 20th C.)

The contemporary artworld is the same way. It will only recognize  artists
from China or India if those artists have abandoned their own traditions and
are presenting the tropes of contemporary art.  (the public art now in
Millennium Park, Chicago, is a fine example - from Anish Kapoor's bean to the
hot new Chinese sculptors now on temporary display.)






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