I am sorry I complemented you on separating human attraction to the aesthetic
of beauty in arts and  human and animal attraction to purely
physiological elements in the mechanisms of survival.
I don't like recycled discussions, but I will help clarify your own writing
for you.
Experiencing the work of art is much more then attraction of a bee to the
flower. The difference is a spiritual component and involvement of a human
creation.
To use the word attraction in the connection between earth and sun is stupid,
so I try to avoid to do that. They are not biological systems.
Their survival depends on physical laws, not 'Darwinism'.
Boris Shoshensky
To: [email protected]
Subject: RE: Beauty is considered to be the culmination or perfection of
speci fic qualities
Date: Mon, 22 Jun 2009 15:51:20 GMT

Given his past interest in considering aesthetics as a biological process, I
was hoping that Boris would  jump at the opportunity to discuss beauty as a
kind of attraction, and then discuss  attraction as a biological principle
(the attraction of bees for flowers, vultures for carrion, male for female,
etc). Indeed, I was even hoping that Boris would expand that  discussion to
the rest of our universe (the attraction of the earth for the sun, positive
ions for negative ions etc), and perhaps connect  it all  to  the inclination
of things " to evolve in the direction of good end goals, aside from any bad
exploratory paths temporarily taken. (as Francis has put it)

But alas,  he would seem to prefer to distinguish beauty from attraction.

It's just that he hasn't begun to do that either.

Perhaps the hot summer weather has addled him.

Perhaps it has addled me as well, because I finally  appreciate some of
Frances'  tedious prose:


" The aesthetic and artistic differentia of natural
and cultural objects and their forms with their "qualities" is to
further be found in the force and power they have to reflect
worthy values and to evoke intense responses in extraordinary
ways. The differentia of artworks is found in the ability of
their form to be empowered and reflective and evocative in ways
not possible with ordinary objects of nonart. The form of an
aesthetic object to be agreed as a work of art must bear and
yield this power, and to further show this power as being able to
reflect worthy values and to evoke intense responses."

The phrase:  "power they have to reflect worthy values" should be added to
Michael's aesthetic credo, although his modern self would probably recoil
from
it for a variety of reasons. (which  both Cheerskep and William would be
happy
to provide, were they  not also on summer vacation)


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