Those were Miller's remarks.  Keep me out of it except for a tilt into parody, 
or truly evil wit.
wc




________________________________
From: "[email protected]" <[email protected]>
To: [email protected]
Sent: Monday, June 29, 2009 9:55:47 AM
Subject: Re: Marks

In a message dated 6/29/09 10:48:12 AM, [email protected] writes:


> most
> marks cannot be distinguished from their backgrounds -- and in some 
> paintings,
> none of them can)
> 
> 
> Without their surrounding visual context, marks are as unimportant as the
> disconnected fragments of text that Michael has cut from a page.
> 
Would you describe for us the notion you have in mind when you use the word 
'mark'? I mean what I'll call the "definition" notion -- the 
characteristics that, to your mind, justify calling something a 'mark'? 



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