"So, presumably, she calls Vermeer a "Naturalist" because she feels no  great
drama in his images.  Things are the way they are, they do not need to be
changed. Heroic effort is not required".

The greatest drama is presented when 'drama' element is not illustrated, but
in the sense of divinity above time and space.
Boris Shoshensky
To: [email protected]
Subject: Re: Ayn Rand: Chapter 3: Art and a sense of life
Date: Thu, 20 Aug 2009 13:45:24 GMT

>It seems her evaluation of art and artists stops short of refined
sophistication. As a writer Tolstoy is one of the best ever, but not  as
philosopher when he starts to do it  outside the arts. Vermeer is not a
naturalist, and it seems she misunderstood cubism.  (Boris)


So far, Boris,  Rand has been reluctant to come to a singular judgment of any
work other than her own.  She allows that  a book may have high literary
quality even if it is wrong, evil, and boring, so in that sense, she might
even agree that "Tolstoy is one of the best ever"

(BTW -- I don't share such reluctance, and have no interest in opinions that
are disconnected from strong feelings of like or dislike.)


Regarding Naturalism, she writes:

"The place of ethics in any given work of art depends on the metaphysical
views of the artist.  If, consciously or subconsciously, an artist  holds the
premise that man possesses  the power of volition, it will lead his work to a
value orientation (to Romanticism). If he holds the premise that man's fate
is
determined by forces beyond his control, it will lead his work to an
anti-value orientation (to Naturalism)"

So, presumably, she calls Vermeer a "Naturalist" because she feels no  great
drama in his images.  Things are the way they are, they do not need to be
changed. Heroic effort is not required.

Is such a view unsophisticated?

Regarding Cubism, her interpretation will certainly not be found in histories
of art, as they are now written.  Indeed, she's not so much interested in the
history of art, as in the history of "sense of life".  And can't a cubist
painting "disintegrate man's consciousness by painting objects as man does
not perceive them"?



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