Glad to have you back, Cheerskep,  even if only to administer  yet another
dour dose of  skepticism.

And thanks for the reference to  the Deresiewicz essay which I find as
pertinent as it is funny and scathing --  not only regarding literary
Darwinism, but also the literary Theory (his capitalization) that it
thankfully seeks to replace:

http://www.thenation.com/doc/20090608/deresiewicz

Here's the quote that I appreciate the most:

"Even if literary Darwinism were grounded in real science, it could never
replace the subjective encounter with a text that lies at the heart of all
reading and should lie at the heart of all pedagogy and all criticism."

As a science, I'm doubting that L.D.  will get very far, since  there may
never be any evidence available  from the Pleistocene.  And it is truly
pathetic how scholarship in the humanities continues to mimic  scientific
practice.  (yet another adaptive, evolutionary strategy, no doubt)

But L.D. does seem to advocate the centrality of that  "subjective encounter"
far more than current art/literary criticism with its concern for "diverse,
linked texts"

And if an  L.D. scholar, like Carroll,  really can enlighten me regarding
"Pride and Prejudice" --- so much the better.


.........................

>There's a ton of stuff on the "uses" of fiction.

The May 20 issue of THE NATION has a piece, "Adaptation: on Literary
Darwinism". The Autumn 2009 issue of the Wilson Quarterly has a piece based on
the "NATION" piece, title "Cheeks Swabs for Hamlet".

Joseph Carroll allegedly launched the topic of literary Darwinism with his
1995 book, "Evolution and Literary Theory".   Brian Boyd's 2009 book, "On the
Origin of Stories" is the latest contribution. I can't pretend I've seriously
studied the material, but what I have read is unpersuasive.

I often feel the great majority of literary theory is the product of
desperation in scholars who are pressured more and more to publish -- but
literature is a "closed" subject. By that I mean, the material they can write
about
is all behind us, as distinguished from, say, science which can in the act of
research and writing produce new subject matter. (Cheerskep)



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