The goal of a great painter is to make a great painting.  If it's also a 
portrait, ok.  James Valerio's portrait of me is in the collection of the Union 
League Club of Chicago.  He's doing another "portrait" right now of me and my 
wife (although we are models in this large allegorical painting).

Most portraits of officials, CEOs and others, done today are run of the mill 
painted photographs but the National Portrait Gallery , Smithsonian D.C., has 
some terrific portraits, some quite recent.  Phillip Pearlstein did a portrait 
of Hanna Gray, one time president of the Univ. Chicago. of course, Lucian Freud 
has done some of the most outstanding contemporary portraits.  And I suppose we 
shouldn't forget Andy Warhol.  

Unless you're doing a historical figure, most portraits are done on commission, 
so that limits the artist's opportunity to exhibit, etc. Yet lots of artists 
today are doing them. Again, Miller's assumption re portraiture leads his 
comments.  If he were aware of the breadth of the whole art scene, he'd realize 
that all the stuff in painting that was ever done is still being done, some of 
it top quality.

wc




wc


----- Original Message ----
From: Chris Miller <[email protected]>
To: [email protected]
Sent: Thu, December 3, 2009 12:57:12 PM
Subject: Re: Contemporary Portraits

This is the first time I've hard the word "effete" applied to portrait
painting. What about portrait sculpture?  Is that regarded as effete as well?

Either way, I don't think 'effete' is a quality that especially excludes
things from art museums in our era, is it?

Are there any art critics who still use it as a pejoritive term?  Are there
any who still use its opposite, "virile" or "manly" , as a positive term?


But thanks for reminding us about photography, Lew  - and yes, I do remember a
few exhibits of late 20th C.  portrait photography at  my local museum, most
recently by Josef Karsh.

As I recall, our local art critic torched that exhibit because he felt that
Karsh was just applying a cookie-cutter kind of "greatness" to all the famous
people being portrayed.

Which is to say -- he felt that Karsh had failed to unconceal the distinct
truth about each of them.



>I think most contemporary portraiture is done by photographers, and
traditional oil & canvas is regarded as effete.

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