I know Gagarin's face very well. The best part of this portrait, beside good
likeness, is a scar on his  forehead, as rumors say, is a result of a drunken
pleasure flying of a military plain.
Boris Shoshensky
To: [email protected]
Subject: Re: Contemporary Portraits
Date: Sun, 6 Dec 2009 17:52:14 GMT

Here's a portrait of the cosmonaut, Yuri Gagarin, by Lev Kerbel:

http://www.ilovefiguresculpture.com/masters/russian/kerbel/kerbel105.jpg

And here's a Roman portrait  (Republican period) from the Met:

http://www.metmuseum.org/toah/hd/ropo/ho_12.233.htm

How would you compare the two?

Since the one is carved and the other modeled, there will, of course, be
differences in certain formal qualities.

But I would suggest that they  succeed  in presenting a believable, though
different, sense of dignity and courage.  Which may not have been attributes
of those particular men at every moment in their lives but at least we can
believe that it was supposed to be.

And dignity and courage  should characterize the life of every man and woman
--- shouldn't it?  (at least if it feels human/real/believable/not-phony)

Well, if you believe so, then perhaps you will admire these sculptures for
achieving that effect.

And if you think that achievement is more important than whatever lofty place
it may get in a history of art (whatever that strange word now means) -- then
you are a fellow philistine.

Welcome to the club.


.........................
More dumb.  I don't care what portrait painters do.  They're not interested
in
art unless they put art first and that means would consider the portrait an
engagement with what is possible as art and that would be the metaphor for
the
"remarkable characterization".   The problem of art is not a matter of
subject.
 Put subject first and you put art second, or third, or somewhere down the
line of irrelevance. Just like the USSR art and the Nazi art you like so
much.
You think subject is primary.  That's the position of philistines.t is more
important than whatever lofty place it may get in a history of art (whatever
that strange word now means) -- then you are a fellow philistine.





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