the Althusserian belief that "our desires, choices,
intentions, preferences, judgments and so forth are the consequences of
social practices"

Our desires, choices,
intentions, preferences, judgments and so forth are the consequences of
physiological demands forming social practices.
Boris Shoshensky
To: [email protected]
Subject: Re: Berger:  Chapter Two - Politics: Th e Apparatus of  Commisioned
Po rtrai ture
Date: Wed, 6 Jan 2010 14:12:10 GMT

> The commission, possession , and exhibition of the painting    was a part
of
its cultural importance. The pleasure of looking at the painting was more
complicated than the childlike   happiness   leading to disneyish reverie
earlier described by Miller as his own standard of   visual success.

Here's how the 16th C.  " Book of the  Courtier" describes the pleasure
afforded by painting:

"Thus you see how a knowledge of painting is a source of very great pleasure.
And let those think of this who so delight in contemplating a woman's beauty
that they seem to be in paradise, and yet cannot paint; which if they could
do, they would have much greater pleasure, they would more perfectly
appreciate that beauty which engenders such satisfaction in their hearts"

How is this  more complicated than "childlike   happiness   leading to
disneyish reverie" ?

> Could Miller please explain roughly why he describes Berger   as "Berger
and
his fellow Althussarians."

"Apparatus" is foundational to  Berger's discussion of  "Rembrandt against
the
Italian Renaissance" - and as Berger notes on page 77, "My interpretation of
the term conforms roughly to that of the second group whose critical position
closely resembles what I take to be Rembrandt's quarrel  with the scopic
regime of mimetic idealism"

That "second group" is the one which  "extends the notion in a more or less
Althusserian manner to the ideological, semiotic, politico-economic, and
metapsychological  construction of the subject of cinema"

My own experience with Louis Althusser is limited to Wikipedia, which rather
thoroughly documents its discussion with 71 references to his various books,
especially his magnus opus, "Reading Capital".

And so far, in my reading of "Fictions of the Pose", I've found nothing that
would contradict the Althusserian belief that "our desires, choices,
intentions, preferences, judgements and so forth are the consequences of
social practices"

BTW, Berger's use of the term "scopic" seems to follow the psychology of
Althusser's fellow post-war French intellectual, Jacques Lacan.



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