What I feel when an a, e happens,as the creator, is a little of what both
of you are mentioning.
Not being loved,but falling in love, a "shiver" as william said and "pride".
The biggest surprise for me is, how did it happen or how did I get here?
mando

On Mar 1, 2010, at 2:31 PM, [email protected] wrote:

William writes:

" See my post re love."

Here's that post:

"I'm taking a shot at answering Cheerskep's quest for what happens in the
aesthetic experience.

"It is the feeling of being loved, throughly understood, accepted, and
admired. The "oceanic feeling"? In this way the work of art is like a magic mirror, an objectified consciousness, momentarily surpassing, or forgiving, our flaws. I'm suggesting that the aesthetic experience is always the private, even secretive feeling of being loved even when, paradoxically , the art work reflects our own sense of projected resistance or unworthiness."

When I read this, I wasn't sure if you were characterizing the a.e. of the
contemplator or of the creator.

In either case, it's impossible for me reasonably to deny that you feel
that way.

If indeed that is the way you feel as a contemplator, your experience is so unlike mine it adds yet more mystery to a.e. As I cycle through my mind now the varieties of a.e.'s I've had, I have to report that I can recall none that gave me or reminded me of the feeling of being loved. Indeed, it's possible that part of the experience as I "shivered" at, say, a great tragic ending, was a sense of the moment's indifference to me. As the hero died, I was
like an unseen urchin witnessing the death of the great man.

When
I think about, it seems to me that effective "sad" works in general -- on stage, in music, in poetry - leave me somewhat with a comparable feeling of being an unnoticed member of the swelling rain, accidentally privileged perhaps, but of no concern or interest to the eminent principals at the center
of the tragic event.

As a creator, I've had moments when, as I observed what I'd just written down, I was convinced I had nailed it. (Recall: I consider every so- called "work of art" to be an aggregate of many "works".) The faulty but suggestive image that just came to my mind was that of an artisan who painstakingly constructs a birdbath on his grounds and then takes a kind of personal credit for the pretty creature that has just glided down to it. When le mot feels to me juste enough, I get a minor a.e. cum fleeting glee - "Look what I just did!" - but, again, as I search the feeling, I can't say it is, for me, one
of being loved.

I find the sensation that is often called "pride" to be interesting. I've numerous times taken "pride" in a moment that I played no part in creating. As I sit here groping for glimpses into the nature of a.e., it occurs to me
that the sensation of pride is a not-too-distant cousin of aesthetic
experience.

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