seemingly the term (word) art is an empty signifier in that its signified
is always emergent and as such no such category of physical objects as art
works  actually exists apriori to its application - there are,  those
things designated as such by convention and those that aspire to in some
manner be included in its definition  - As such art  exists (is) as a
nominal abstraction (a concept) - a representation (in the Kantian sense)
which means it is an intuited construct  based on a wide variety of sensory
experiences , which over time is objectified - Within the present context
we may see  the history of art, aesthetics, and various theories as being
the means to substantiate, differentiate,  and validate the metaphysical
construction of "art" as corresponding to some "thing(s)" in the world
rather than the wide range of experience that succeeding generations in the
west have sought to give logical and rational form to


On Sat, Jan 12, 2013 at 11:42 AM, <[email protected]> wrote:

> The topic here -- 'Can art exist without authority' -- is so vague, so
> ambiguous, that anyone who tries to grapple with it in its unclear
> formulation
> is liable to be entrapped into blurry generalities as Saul is (below). The
> clarification might start with the notion behind the word 'art' there. Are
> we
> to think of "art" as an activity? A vast collection of physical works? An
> (imaginary) ontic quality, "artness", which, when a given work "has" it,
> makes that work a "work of art"?
>
>
> In a message dated 1/12/13 10:50:27 AM, [email protected] writes:
>
>
> > art exist within its histories and those histories are sustained by
> > various
> > validating structures (institutions) - the primary function of these
> being
> > to maintain the notion that such a thing as art  exists
>
>


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