All assertions using the word 'art' with little or no attempt to describe
with some specificity what the writer has in mind with the word lead only to
vacuity.

For openers. I suggested that one should convey if the "art" he has in mind
is an activity, a collection of works, or some variety of "quality". The
next step would be to apply   specificity within each of those three
categories.

For example, if what one has in mind with the word 'art' is an activity,
it's necessary to convey which activities one is calling "art" and which
not.   It will, say I, soon become apparent that one is talking solely of a
personal, arbitrary decision about what to CALL an "art-activity". That is,
the
talker will not expose/discover what IS "art"; he will only be STIPULATING:
"I assert that whatever gives me an aesthetic experience IS art!" Or, more
modestly, "I shall use the word 'art' to label any work that gives me
personally an aesthetic experience."

This, of course, will not carry much weight within a sophisticated but
varied forum. WAITING FOR GODOT does not give me an a.e.. But I believe it
does
give an a.e. to some people whom I otherwise respect.
Let's momentarily assume my friend and I arrive at a mutual agreement of
sorts about what constitues an "a.e." -- the way we might about what is an
orgasm, or the special transported delight occasioned by hearing certain
Mozart
or Beethoven.

Given that agreement, it would be silly for my friend to tell me that I am
wrong, I DO get an a.e. from GODOT, or for me to tell him he does NOT get an
a.e. from GODOT.

Given all this, the best we can ever hope for in a search to justify the
use of the word 'art' (as an activity, or collection, etc) would be to allow
the usage of a new term, "me-art". An analogy would be a "me-meaning" -- as
when people might say, "Let me tell you what 'the good life' means to me."
"You may think me peculiar, but, for me, there are many moments in the movie
EVITA that I'd call art -- well, okay, art for me, any way. Definitely
me-art."

I'm fully aware that many aestheticians would flatly reject that
compromise. "If you can't see that Beethoven's Ninth/Rembrandt's NIGHT
WATCH/Eliot's
FOUR QUARTETS/Shakespeare's HAMLET/ is in point of absolute fact a great work
of art, you're not worth talking to."

Meantime the notin of applying

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