This item from the Nairobi weekly, the East African, was seen on AllAfrica.com
at http://allafrica.com/stories/200503010473.html . 

It would be interesting to have a discussion on the role of translation in
African literature and publication. What Ayi Kwei Armah and the article's
author do not discuss is the possibility of either composing in a language
other than English and French and then translating into one or both of the
latter for wider disseminaton, or vice versa - "back-translating" African
literature originally composed in English or French into an African language(s)
of the milieux/story they describe (this has been done in a few cases). In
other parts of the world as far as I'm aware there does not seem to be a need
to write only in international languages.

The idea that the language of African literature has not yet been born is an
interesting one. First, does that mean that no language in Africa can convey
the range of experience of the continent? Or that the thought is that Africa as
a whole needs a single language? It's my impression (again as a non-specialist
in language & literature) that a language expands through use, especially by
those most skilled in it, to be able to convey a range of ideas, emotions,
etc., and that this dynamic potential exists in all languages.  DZO


The Language of African Literature Is Not Yet Born
 
The East African (Nairobi)
http://www.nationmedia.com/eastafrican/current/index.html
OPINION
February 28, 2005 
Posted to the web March 1, 2005 

Hezron Mogambi
Nairobi 

Only cultural values inspire national pride, writes HEZRON MOGAMBI 

THE DIRECT RESULT OF European colonisation of Africa was the depreciation of the
African image in the European mind to justify the imposition of political
control. This naturally also involved the devaluation of African culture.

This is what Ayi Kwei Armah, the Ghanaian novelist, who delivered a lecture at
the University of Nairobi's Taifa Hall two weeks ago, believes. Armah says that
when Africans claim that they are independent under present conditions, they
are misguided.

"The idea of independence is false, a joke in all other ways," says Armah, 65,
arguing that political independence is meaningless without cultural
independence, for it is only cultural values the can "inspire a people with
national pride, give them a separate identity and something to live and die
for."

Creative writers, especially in West Africa, he says, emerged with forms of
writing aiming at restating and emphasising African culture. The
musico-ethnologist Kwabena Nkeita of Ghana, for example, recorded and
interpreted the funeral dirges of the Akan while Chinua Achebe reconstructed
the Igbo traditional culture as it existed before the colonialists undermined
it, in his novels, Things Fall Apart and Arrow of God.

Armah, who says he feels sorrow over the current state of affairs in Africa,
observes that, although many countries have had nominal independence for years,
life has not improved for the ordinary citizens.

"It is our foolishness which makes us live the way we live. Until we make up our
minds and decide what we want to do and design our own system, we shall be
going nowhere," he says.

"We need to sit down," he continues, "and look at our history because it is from
such a history that we can begin to find a solutions to our present-day
problems."

Asked what language should be used in writing and therefore documenting what he
calls African history, the author who has taught in universities in North
America and worked in most parts of Africa, agrees that, indeed, that is part
of the problem.

His answer, however is even more telling:

"We are suspended while waiting for a decisive breakthrough; if an African
language is adopted it will be a big solution. Africa is vast and it requires a
vast language to put through all our ideals, and that language is not yet
born," Armah says.

He therefore says that he will continue writing in languages that reach the
largest number of Africans; that is English or French.





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