>> Do you think I do that for a new language?

Josh> I'm pretty sure that I at least do it one word at a time. Last
Josh> year I drove all the way across Austria and halfway back before
Josh> I finally realized that those signs I kept seeing: "Einbahn",
Josh> meant "One Way."

Josh> Eric Drexler tells the story of being in Japan and becoming
Josh> frustrated because he couldn't even recognize a string of
Josh> characters on a sign as one he had on paper and was specifically
Josh> looking for. So he forced himself to "read" a japanese book for
Josh> some hours and slowly formed enough pattern memory for the
Josh> characters to be able to identify a word as the one he was
Josh> looking for.

Josh> Whereas I had a head start, since German uses a familiar
Josh> alphabet, and thus I could drive around wondering why every
Josh> little town had an Einbahn Street.

I don't think you've addressed the question, and in fact I think the
examples you give are anecdotal evidence for my position.

Raise a kid in a multilingual household within a country speaking
yet a third language, and she'll speak three languages and never 
mix them up. You can't do that one word at a time-- you have
to apportion three separate
processes. Of course, language might be specially programmed--
but I think you'd have little trouble picking up three different
games simultaneously-- say chess, bughouse, and poker. If you learn
three fonts, you won't mix them up.

Your two examples, I'd say, the problem is precisely that the learner
hasn't invoked a new process, so couldn't learn. You drove across
Austria trying not to learn any German, so you didn't. If you'd spun
off a new object and started working, you might have learned some.
Likewise Drexler, same deal. He couldn't do anything until he invested
the effort to get his mind to go into new language mode. Then bang,
it worked better.

I'm not familiar with Actors. Can you explain the difference in a nutshell?

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