Over-the-ear more noise-cancelling? H'mm. I would have thought it was the opposite, the earcups providing some acoustic isolation.

Many decades ago I owned a pair of headphones from a company called Featherlight. They were flush up against the ear, no cups, no acoustic isolation of any kind, and man could those things pump out bass! And yes, they were definitely feather-light. They might even have been one of the early electrostatic models. They didn't require external power though, but they were thin thin thin and definitely very light on the head and ears. They sounded like the drivers were practically in my ears. Very nice 'phones. Don't know what ever happened to them, but they did disappear, quite possibly nicked by my brother, who removed a lot of my better stereo gear (not to mention records) while I was away at school every week!


On 11/14/2018 11:17 AM, Brian Olesen wrote:
Hi Steve,
It's really a matter of personal preference.
The over the ear tend to be more noise canceling then the ear cup versions, but 
if you want your surrounding noise to be part of your listening environment you 
should get a pair of open headphones.
When I master I definitely prefer fully closed headphones! But it's because I'm 
no longer the youngest kid in town, so I can easely loose concentration and 
loose important deetales in the mix, if everything else isn't keeped away from 
my listening.

Brian


-----Oprindelig meddelelse-----
Fra: all-audio@groups.io <all-audio@groups.io> På vegne af Steve Matzura
Sendt: 14. november 2018 15:10
Til: All Audio <all-audio@groups.io>
Emne: [all-audio] Recommendation for Against-the-Ear Headphones Wanted

The subject line says it all. Good response for mixing, on-the-ear versus the 
earcup variety of headphone. These usually have the driven element closer to 
the ear than the ones that cup the ear, as well as letting the wearer hear more 
external sounds. Some people don't like this, but there are definitely 
applications where letting in a little more outside noise is required, such as 
when one is in a broadcast setting and must be attentive to external sound 
stimuli.






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