Hii
Gr8 2 notice such details...ARR's not only master of melody but has intricate
knowledge about taal. Very few must have noticed he's compsed "Roshan hui raat"
from Sapnay in a 5-beat metre (taka takita) & in that too there r some portions
where the song goes off-beat n returns to the 'sum'. Another master piece is
the 1st interlude of "Jiya jale". The entire song goes in 2/4-metre (8)..but
in the interlude he xperiments with diff taal structres fom 6/8 to 5/8 n so.
Also "Adhisayam" from Paarthale Paravasam...gosh! Thats one helluva song in
terms of taal. 7/8,5/8,6/8...the meter keeps on changing...n u actually hv to
concentrate n listen to when it comes to the sum. Many such brilliant
compositions...but go unnoticed.
Rite now...its Guru all the way!
Thanx ARR
Swaps
Rikesh Poonith <[EMAIL PROTECTED]> wrote:
Hi Guys, here are some songs done mostly by Rahman & not other composer in
"Dadra Taal' and Deepchandi Taal' recently.........
Dadra Taal:
The Rising- Mein Vari Vari
Mangala Mangala in 3 VersionS..
Dekho Ayee Holi ( a mix with Dadra & Kaherwaa taal )
Bose (The Forgetten Composer)- Ekla
Dilli
Durga (Instrumental)
Guru- Ek Lo Ek Mufff
Deepchandi Taal :
Almaudat Maula
Piya Hadji Ali.................................................. etc
We can noticed that only some of AR Rahman songs are based in 2 taalas such
as Chand Ayaa Hein (Dil hi Dil Hi) & Dekho Ayee Holi.....................
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