Wonderful essay.  Too bad it doesn't change my opinion that ARR has 
not lost A THING since the beginning.  He is just as brilliant and 
original as before. Let's agree to disagree and move on.


--- In [email protected], Dasun Abeysekera <[EMAIL PROTECTED]> 
wrote:
>
> 
> Originality
> 
> The most original songs of the 92-96 era, in my opinion, are Thee 
Thee from Thiruda Thiruda (93) and Mettupodu from Duet (94); and 
their respective albums too can be called the most original from 
ARR's highest creative standpoint. Roja would certainly have to be 
considered original if we compare ARR's originality to the relative 
originality of the musical backdrop of that era, but that is not what 
we are attempting here; I feel that compared with the aforementioned 
albums, Roja, along with the likes of Puthiya Mugham, Uzhavan, and 
Bombay would qualify as some of the most soulful and brilliantly 
crafted albums, but, not the most original; again, please keep in 
mind that my comparisons are confined to ARR's body of work and not 
extended to any comparison's with the work by any of his composer 
peers. 
> 
> Thiruda Thiruda (93) was a breakthrough album for ARR as he was 
able to match, if not exceed, the expectations surrounding his second 
post-Illayaraja Mani Ratnam production after Roja, which could not 
have been an easy task for a 25 year old who thought his first movie 
album would be his last! Thee Thee's stunning energy and freshness is 
only the icing on the cake after the beautiful vocal tapestry of 
Raasathi, the operatic grandeur of Veerapandi Kottayile, and barring 
its close references to Michael Jackson-like dance beats, 
Chandralekha as well. Duet (94), on the other hand, with an 
unprecedented use of Kadiri Gopalnath and his saxophone to showcase 
Carnatic music, was quite a daringly original attempt for a movie; to 
say both maestros pulled it off with shocking success, would be an 
understatement.    
> 
> So, has there been a song/album of that calibre in recent times? I 
think it will be an accurate statement to say that there has not been 
a song like Thee Thee or Mettupodu in recent times, certainly not a 
conceptually original album of Duet's kind, and most surely not an 
album for an Indian movie. Now why could that be? First of all, as 
you lose your youthful freshness and become enmeshed in a system, you 
lose a significant share of that rebellious spirit. Albert Einstein 
said during his latter years when he went on his quest to discover a 
Unified Field Theory, how much he wished he had that same rebellious 
spirit which fuelled his strength of mind and imaginative powers to 
overthrow the revered Laws of Sir Isaac Newton and his universe of 
absolute time and space with the new Relativity Theory. Similarly, in 
United States presidential politics, Sen. Barack Obama is touting his 
freshness in Washington as one of his biggest strengths for bringing 
about real change to the country. So, yes, time spent in any 
environment can significantly reduce your capacity for daring and 
originality, which is what we are seeing with ARR in India. However, 
let us not forget that we owe much of the advancement of the quality 
of Indian music to him and let's not be surprised if his most 
original work comes from his work abroad because that environment is 
still new to him and he has many colors to show to the rest of the 
world where he is not yet legend!   
> 
> 
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