I don't know what Gowarikar and his team are thinking, but they seem 
pretty confident about their product.  If the movie fails, lots of "I 
told you so" remarks will be heard about how JA wasn't promoted well, 
etc.  The only way this movie is going to be a hit after the first 
week is if the narrative and plot are gripping from start to finish.


--- In [email protected], Vithur <[EMAIL PROTECTED]> wrote:
>
> *http://passionforcinema.com/jodhaa-akbar-god-save-the-queen-and-
king/*
> **
> *A PLEA TO THE MAKERS OF JODHAA-AKBAR*
> 
> I feel like pulling my hair out. UTV Motion pictures and Ashutosh 
Gowariker-
> what is wrong with you guys?
> 
> It's less than a week for the release of what is the biggest magnum 
opus
> this year and what should be the most awaited film to hit the 
screen in a
> long time, and yet, strangely- though not very surprisingly- there 
barely
> seems to be any buzz at all. Other than, of course the usual yawn-
inducing
> controversies that almost always seem to hound historical films 
made in
> India, any real excitement over the film really escapes even a 
hardcore
> Gowariker fan like me.
> 
> Can't the producers see the writing on the bloody wall? Just making 
a good
> film simply doesn't suffice- you have to first get bums on seats- 
period.
> And I don't see the makers of *Jodhaa-Akbar *doing enough to ensure 
that the
> theatres remain housefull atleast through the first weekend.
> 
> Today is the time of *ghor kalyug* at the box office, of aggressive
> hardsell, of driving people nuts with your publicity drive to the 
extent
> that they sing *Dard-e-Disco *(*or Saawariya*) in their sleep. To 
hell with
> the ridiculous theory that says that 'a good film always works'- it 
doesn't
> take a rocket scientist to know that is just politically correct 
crap.
> 
> I can bet that atleast half of the people who watched *Heyy Babyy* 
or *Om
> Shanti Om* did not even like them- and that atleast 25 percent 
regret having
> ever seen them, feeling embarrassed and wincing at the very thought 
that
> they are the reason why Farah Khan and Sajid Khan can continue to 
boast
> revoltingly about their cinematic achievements and why we are 
poorer than a
> few hundred rupees.
> 
> *Jodhaa-Akbar*'s publicity campaign has been nothing short of a 
mess- the
> completion of production and date of release getting delayed so 
many times
> have considerably quietened the hype surrounding the film. To make 
matters
> worse, we have a drab and poorly cut first promo, and then the 
music comes
> into stores barely a month before the release.
> 
> Gowariker's style of filmmaking is sublime, gentle- almost flowing 
with the
> serenity of a river- and that aspect is also reflected in the music 
of his
> films. That is the reason why the music of both *Swades* and 
*Jodhaa-Akbar*,
> while both magnificently created by AR Rahman did not ever really 
catch on,
> with the exception of a few tracks (*Aahista Aahista*, that 
beautiful
> lullaby deleted from *Swades* today lies almost tragically removed 
from
> public memory).
> 
> So there you go- like it or not- the music is hardly going to 
contribute to
> an opening- in sharp contrast to *Hare Krishna Hare Ram* single 
handedly
> getting *Bhool Bhulaiyaa* that massive initial- though giving the 
music time
> to settle and sink into the audience could have helped (Rahman's 
music often
> takes a while to warm up to, and repeated hearing to fully 
appreciate).
> However, Gowariker and Rahman create exquisite music together, and 
it can't
> really be helped that it doesn't cater to the *dhinchak* massy 
music tastes
> of the audience 
<http://www.indiafm.com/movies/musicreview/12618/index.html>.
> 
> 
> What *can* still be helped is improving the quality and increasing 
the
> quantity of the promos and other publicity. Get Hrithik and 
Aishwarya to get
> their traps open and give non-stop interviews. Get the stars on the 
news,
> reality shows, get promotional tie-ups, scream from rooftops- do 
whatever it
> takes to ensure that school children may forget the dates of their 
board
> exams but not that of the film's release.
> 
> The bottomlime is- this kind of 'graceful, dignified' publicity 
will not
> help. To hell with grace- get your pants down and your hands dirty 
guys. The
> composed tranquility of a film does not have to be echoed in it's 
publicity.
> 
> 
> -- 
> regards,
> Vithur
> 
> A.R.RAHMAN -  MY BREATH & LIFE FORCE
>


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