Aushutosh Goweriker, Shankar, Rakesh Mehra , Rajeev Menon...werent these guys 
new comers when rahman first started working with them?
 
Whats this guy talking about???
 
I agree..Sakkarkatti was a bad,worse,awfull movie, we also know why rahman 
accepted this movie......Rahman most of the time has been spot on with his 
selection, sometimes what looks good on paper,doesnt looks well on the 
screen...You can't blame him..
 
Who in the world expected RDB movie to be a blockbuster..with its unsual story 
and all the main actors die at the end..do indian audience accept this kind of 
ending..especially in bollywood??? This is just one instance...there are many 
other hit movies too where rahman's selection has been spot on....
 

--- On Thu, 10/16/08, PRATAP <[EMAIL PROTECTED]> wrote:

From: PRATAP <[EMAIL PROTECTED]>
Subject: [arr] A.R.Rahman isn't a good judge of scripts
To: "ARR FAN CLUB" <[email protected]>
Date: Thursday, October 16, 2008, 5:25 AM














"A.R.Rahman isn't a good judge of scripts"




October 16, 2008









I was in the midst of a discussion between two friends talking about Rahman and 
Yuvan, and this made me to think of one contrasting difference between these 
composers. When you look at A R Rahman’s career graph, you can’t help noticing 
that most of his flop movies (not flop songs) are with new directors that he 
makes music for 





-recent example, Kala Prabhu’s Sakkarakatti. A sample list of other moderate to 
flop movies would be: Pudiya Mugam, May Madham, Enakku 20 Unakku 18, Sillunu 
Oru Kadhal, Udhaya, Parasuram, ATM, and Ratchagan. You will notice that 90 
percent of his hit movies are with well established directors or are backed up 
by strong personalities, such as Aamir Khan for his nephew in Jaane Tu.

This is a sharp contrast to someone like Yuvan who is more successful with new 
comers. And his father, Ilayaraja, has an unprecedented record of hit movies 
with new comers. The irony is that Rahman's judgment in scripts is not that 
great; he can connect with his music but I don’t think he has the ability to 
judge what scripts will work and what will not. If Mani Ratnam, Aamir Khan, and 
Shankar move on at this point to new music directors, it will at least give 
Rahman a new bandwidth of newcomers to experiment with.

I am not disputing that Rahman has set a benchmark in the industry. However, I 
would prefer that Rahman try and experiment with more new comers and hone his 
instinct to connect with new scripts instead of circling back to those five top 
directors all the time.

VIJAY SRINIVASAN
Behindwoods visitor 
[EMAIL PROTECTED] il.com




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