On 10/16/2008 9:23 PM India Time, _$ Pavan Kumar $_ wrote:

> Aushutosh Goweriker, Shankar, Rakesh Mehra , Rajeev Menon...werent these 
> guys new comers when rahman first started working with them?
>  
> Whats this guy talking about???

Well said.

People unnecessarily point fingers without having the full data.

For that matter, Subhash Ghai is NOT a new comer, yet his films (not 
music) are not doing well for almost a decade. Even taal movie was 
having shabby script. Yaadein ki kisi ko yaad bhi nahin hai. Kishna was 
arbitrary.

And I think Mangal Pandey movie was badly made.

Even, one of the most established and respected name that used ARR as MD 
made BOSE more like a documentary that showed events but was not really 
having the feel of independence struggle that should have cone in a BOSE 
film.

So, I think it is not really the resume of the director that matters. 
There are good and bad newcomers, there are good and bad established names.

-- 
Rawat

>  
> I agree..Sakkarkatti was a bad,worse,awfull movie, we also know why 
> rahman accepted this movie......Rahman most of the time has been spot on 
> with his selection, sometimes what looks good on paper,doesnt looks well 
> on the screen...You can't blame him..
>  
> Who in the world expected RDB movie to be a blockbuster..with its unsual 
> story and all the main actors die at the end..do indian audience accept 
> this kind of ending..especially in bollywood??? This is just one 
> instance...there are many other hit movies too where rahman's selection 
> has been spot on....

>  
> 
> --- On *Thu, 10/16/08, PRATAP /<[EMAIL PROTECTED]>/* wrote:
> 
>     From: PRATAP <[EMAIL PROTECTED]>
>     Subject: [arr] A.R.Rahman isn't a good judge of scripts
>     To: "ARR FAN CLUB" <[email protected]>
>     Date: Thursday, October 16, 2008, 5:25 AM
> 
>     "A.R.Rahman isn't a good judge of scripts"
> 
>     October 16, 2008
> 
>     I was in the midst of a discussion between two friends talking about
>     Rahman and Yuvan, and this made me to think of one contrasting
>     difference between these composers. When you look at A R Rahman’s
>     career graph, you can’t help noticing that most of his flop movies
>     (not flop songs) are with new directors that he makes music for
>       
>     A R Rahman
> 
>     -recent example, Kala Prabhu’s Sakkarakatti. A sample list of other
>     moderate to flop movies would be: Pudiya Mugam, May Madham, Enakku
>     20 Unakku 18, Sillunu Oru Kadhal, Udhaya, Parasuram, ATM, and
>     Ratchagan. You will notice that 90 percent of his hit movies are
>     with well established directors or are backed up by strong
>     personalities, such as Aamir Khan for his nephew in Jaane Tu.
> 
>     This is a sharp contrast to someone like Yuvan who is more
>     successful with new comers. And his father, Ilayaraja, has an
>     unprecedented record of hit movies with new comers. The irony is
>     that Rahman's judgment in scripts is not that great; he can connect
>     with his music but I don’t think he has the ability to judge what
>     scripts will work and what will not. If Mani Ratnam, Aamir Khan, and
>     Shankar move on at this point to new music directors, it will at
>     least give Rahman a new bandwidth of newcomers to experiment with.
> 
>     I am not disputing that Rahman has set a benchmark in the industry.
>     However, I would prefer that Rahman try and experiment with more new
>     comers and hone his instinct to connect with new scripts instead of
>     circling back to those five top directors all the time.
> 
>     VIJAY SRINIVASAN
>     Behindwoods visitor
>     [EMAIL PROTECTED] il.com


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