Sorry for being off-topic here..but guys the fact is..These websites are paid handsomely by the filmakers to spread positive word of mouth about there movie and music in the internet world.
A good example..Read taran adarsh's review of recently released Karzzzzzzzzzzzzzz and read it in other sites..you guys would understand what I mean.. --- On Mon, 10/20/08, satish_srini <[EMAIL PROTECTED]> wrote: > From: satish_srini <[EMAIL PROTECTED]> > Subject: [arr] Re: Tutu's Take- Indiafm Review of Yuvraaj > To: [email protected] > Date: Monday, October 20, 2008, 7:03 AM > This is the guy who gave 4.5 stars for Karzzz while Yuvraaj > gets only > 3 stars!!! > > --- In [email protected], "en_arvind" > <[EMAIL PROTECTED]> wrote: > > > > I will resist passing my personal take and comments on > Joginder > > Tuteja's reviews as nothing but @#$%%^&* will > be there but here it is > > for YUVRAAJ.... > > > > > http://www.bollywoodhungama.com/movies/musicreview/13391/index.html > > > > At the beginning of the year, when the list of most > anticipated > > tracks of 2008 was being compiled, Yuvvraaj was one of > the first to > > make an entry. And why not? After all, Subhash Ghai > and Rahman coming > > together is big enough news, especially since it will > be after 9 long > > years that the two would be coming together after Taal > (Kisna had > > Ismail Darbar sharing credits with Rahman). With the > film's subject > > being musical, Gulzar saab writing lyrics, Shiamak > Davar as the > > choreographer and actors like Anil Kapoor, Salman Khan > and Katrina > > Kaif coming together, Yuvraaj was always going to be > the magnum opus > > of 2008! > > > > So does the music of Yuvraaj meet the mammoth > expectation one has > > carried for almost a year? The answer is No and Yes! > No, because > > Yuvraaj is certainly not Taal. Forget matching the > class of Taal, it > > is far away from it when it comes to sheer mass > appeal. > > > > Write your own music review of Yuvvraaj > > Yes, because if one looks at Yuvraaj as a stand alone > product and > > doesn't associate big names like Ghai, Rahman, > Gulzar and the rest, > > it makes for a fine hearing. The soundtrack isn't > bad; it just isn't > > very great, as one had anticipated all this while. > > > > Yuvraaj starts on an extremely positive note though. > Amalgamation of > > Western classical music with Indian melody is done > excellently by > > A.R. Rahman who creates a mesmerizing 'Tu Meri > Dost Hain' which gets > > a Thumbs Up on the first hearing itself. Introducing a > new singer > > Benny Dayal, Rahman gives him a huge responsibility of > singing the > > flagship number of Yuvraaj which has a serene quality > to it. Later > > the composer comes along with Shreya Ghoshal behind > the mike as well. > > Flowing seamlessly, 'Tu Meri Dost Hain' has a > grand orchestra to it > > which should sound even better once merged with the > opulent frames > > captured by Ghai. > > > > > > > > > > Reminding of the kind of numbers composed by Rahman in > the mid- > > 90s, 'Mastam Mastam' is the next to come which > is a fun celebration > > track. Primarily sung by Sonu Nigam with Naresh and > Benny being the > > additional voices and Alka Yagnik joining in later, > 'Mastam Mastam' > > is situational and could easily pass off as a track > for children. The > > tune is simple but isn't exciting enough to make > you jump with joy. > > Now all depends upon the way Ghai picturises the song > and makes it > > engaging enough for audience to be entertained. > > > > Beethoven is heard in 'Main Hoon Yuvvraaj' > which is mainly a 70 > > second's piece where Salman Khan proclaims - > 'I am a bad guy'. > > Mouthing a few dialogues in his now-famous accented > manner, Salman > > mainly uses this platform for introducing his > character. > > > > 'Tu Muskura' is set in the same mode as > 'Tu Meri Dost Hain' when it > > comes to keeping the soothing element intact. This > Alka Yagnik sung > > track is easy on ears but doesn't quite come with > a power which would > > make it the kind that would become an instant success > with one and > > all. Javed Ali joins Alka Yagnik mid-way into the song > which almost > > sounds like a lullaby and maintains similar pace and > effect from > > start till the finish. Yet again number where a lot > would depend upon > > the way it comes across on screen. > > > > Subhash Ghai may have promised to incorporate a number > in Yuvraaj > > which is in a mould similar to that of a > 'Fanaa' [Yuva] or a 'Pappu' > > [JTYJN]. However, 'Shano Shano' doesn't > really turn out to be THE hip- > > n-happening number which one would have expected as > the tune doesn't > > make you head towards the dance floor even after > repeat hearing. A > > number which sees quite a few singers coming together > - Sonu Nigam, > > Srinivas Kartik, Timmy, Sunaina, Vivienne Pocha and > Tina - 'Shano > > Shano' is a letdown. > > > > A shorter 'remix version' comes at the > album's end. Featuring EMBER, > > it has the husky sound of 'Main Main Main Main > Yuvvraaj' going in the > > background. Now it has to be seen that to what extent > does Salman > > manage to turn around the fortunes of this song! > > > > Reminding of the kind of songs that Bhupinder Singh > used to sing in > > the late 70s/early 80s, 'Zindagi' is the next > to come. Srinivas > > croons this sad track which has minimal instruments in > the background > > and mainly has him occupying the center-stage. A > number about > > questioning life around the losses one has seen, this > one is yet > > another hardcore situational track which barely > manages to pass > > muster. In fact one wonders whether this number, that > is almost semi- > > classical in appeal, would play in it's entirety > in the film since it > > lasts as long as 5 minutes! > > > > Wait, there is more to come. The song which follows > next, 'Dil Ka > > Rishta', is almost 8 minutes long! Seemingly a > climax track which > > opens with clear inspiration from Beethoven, 'Dil > Ka Rishta' appears > > to be a concert in progress with fusion of Indian and > Western > > classical. Expect the situation in the film to have a > grandeur appeal > > to it, especially with the opening two minutes being > entirely > > dedicated to the coming together of various musical > instruments and > > chorus (Clinton, Suzanne, Vivieanne Pocha, Naresh, > Benny, Blazze). > > > > Later Sonu Nigam, Roop Kumar Rathod and A R Rahman > come together > > for 'Dil Ka Rishta' which promises to exceed > the effect created > > by 'Taal Se Taal Mila' or 'Kahin Aag > Lage' from Taal on the screen. > > Yes, there is a grand quality to this song but on the > flip side > > doesn't have in it to be sung around the town. At > maximum, it would > > make for a good cinematic appeal. > > > > 'Manmohini Morey' is a fusion classical track > which comes with a good > > probability on being filmed on Anil Kapoor. Good, but > situational. > > Yet again! > > > > Once Yuvvraaj comes to an end, one wonders that which > of the songs > > from the album would turn into a chartbuster. And to > one's surprise, > > it is hard to pin point on a particular track since > Ghai and Rahman > > have mainly come up with the soundtrack that would > possibly fuse well > > with the narrative but doesn't really throw a > number which would make > > its presence felt from the top. Collectively, the > album does have > > it's moments as only a song or two don't quite > make an impression. > > Celina Jaitley, Golmaal Returns > > > > At the music stands though, Yuvraaj has a good > probability of making > > an early impression since the name Rahman sells. > However, don't > > expect a Taal or even Jaane Tu… Ya Jaane Na that had > more than just a > > couple of chartbuster hits. > > __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! 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