The link doesnt seem to be operating any more... Good for Tutu... Tutu can't 
review saala 
:)

--- In [email protected], "Chord" <[EMAIL PROTECTED]> wrote:
>
> Tootsie Pop only rates albums based on how mnay chartbuster hits (his 
> distorted definition of one) it has.  This has ZERO credibility for 
> me.
> 
> 
> 
> 
> --- In [email protected], "Vinod Raju" <vinod@> wrote:
> >
> > 
> > The review seems to have been taken off the site.
> > 
> > The link says "No review".
> > 
> > 
> > -Vinod
> > 
> > 
> > 
> > --- In [email protected], ali ahad <mindblower2003@> 
> > wrote:
> > >
> > > he do like YUVVRAAJ ...but don't want to admit ....arrogant man
> > > 
> > > --- On Mon, 10/20/08, en_arvind <en_arvind@> wrote:
> > > From: en_arvind <en_arvind@>
> > > Subject: [arr] Tutu's Take- Indiafm Review of Yuvraaj
> > > To: [email protected]
> > > Date: Monday, October 20, 2008, 6:45 PM
> > > 
> > > I will resist passing my personal take and comments on Joginder 
> > >  Tuteja's reviews as nothing but @#$%%^&* will be there but here 
> > it is 
> > >  for YUVRAAJ....
> > > 
> > > http://www.bollywoo dhungama. com/movies/ musicreview/ 
> > 13391/index. html
> > > 
> > >  At the beginning of the year, when the list of most anticipated 
> > >  tracks of 2008 was being compiled, Yuvvraaj was one of the first 
> > to 
> > >  make an entry. And why not? After all, Subhash Ghai and Rahman 
> > coming 
> > >  together is big enough news, especially since it will be after 9 
> > long 
> > >  years that the two would be coming together after Taal (Kisna 
> had 
> > >  Ismail Darbar sharing credits with Rahman). With the film's 
> > subject 
> > >  being musical, Gulzar saab writing lyrics, Shiamak Davar as the 
> > >  choreographer and actors like Anil Kapoor, Salman Khan and 
> > Katrina 
> > >  Kaif coming together, Yuvraaj was always going to be the magnum 
> > opus 
> > >  of 2008!
> > > 
> > >  So does the music of Yuvraaj meet the mammoth expectation one 
> has 
> > >  carried for almost a year? The answer is No and Yes! No, because 
> > >  Yuvraaj is certainly not Taal. Forget matching the class of 
> Taal, 
> > it 
> > >  is far away from it when it comes to sheer mass appeal. 
> > > 
> > >  Write your own music review of Yuvvraaj 
> > >  Yes, because if one looks at Yuvraaj as a stand alone product 
> and 
> > >  doesn't associate big names like Ghai, Rahman, Gulzar and the 
> > rest, 
> > >  it makes for a fine hearing. The soundtrack isn't bad; it just 
> > isn't 
> > >  very great, as one had anticipated all this while. 
> > > 
> > >  Yuvraaj starts on an extremely positive note though. 
> Amalgamation 
> > of 
> > >  Western classical music with Indian melody is done excellently 
> by 
> > >  A.R. Rahman who creates a mesmerizing 'Tu Meri Dost Hain' which 
> > gets 
> > >  a Thumbs Up on the first hearing itself. Introducing a new 
> singer 
> > >  Benny Dayal, Rahman gives him a huge responsibility of singing 
> > the 
> > >  flagship number of Yuvraaj which has a serene quality to it. 
> > Later 
> > >  the composer comes along with Shreya Ghoshal behind the mike as 
> > well. 
> > >  Flowing seamlessly, 'Tu Meri Dost Hain' has a grand orchestra to 
> > it 
> > >  which should sound even better once merged with the opulent 
> > frames 
> > >  captured by Ghai. 
> > > 
> > >  Reminding of the kind of numbers composed by Rahman in the mid-
> > >  90s, 'Mastam Mastam' is the next to come which is a fun 
> > celebration 
> > >  track. Primarily sung by Sonu Nigam with Naresh and Benny being 
> > the 
> > >  additional voices and Alka Yagnik joining in later, 'Mastam 
> > Mastam' 
> > >  is situational and could easily pass off as a track for 
> children. 
> > The 
> > >  tune is simple but isn't exciting enough to make you jump with 
> > joy. 
> > >  Now all depends upon the way Ghai picturises the song and makes 
> > it 
> > >  engaging enough for audience to be entertained. 
> > > 
> > >  Beethoven is heard in 'Main Hoon Yuvvraaj' which is mainly a 70 
> > >  second's piece where Salman Khan proclaims - 'I am a bad guy'. 
> > >  Mouthing a few dialogues in his now-famous accented manner, 
> > Salman 
> > >  mainly uses this platform for introducing his character. 
> > > 
> > >  'Tu Muskura' is set in the same mode as 'Tu Meri Dost Hain' when 
> > it 
> > >  comes to keeping the soothing element intact. This Alka Yagnik 
> > sung 
> > >  track is easy on ears but doesn't quite come with a power which 
> > would 
> > >  make it the kind that would become an instant success with one 
> > and 
> > >  all. Javed Ali joins Alka Yagnik mid-way into the song which 
> > almost 
> > >  sounds like a lullaby and maintains similar pace and effect from 
> > >  start till the finish. Yet again number where a lot would depend 
> > upon 
> > >  the way it comes across on screen. 
> > > 
> > >  Subhash Ghai may have promised to incorporate a number in 
> Yuvraaj 
> > >  which is in a mould similar to that of a 'Fanaa' [Yuva] or 
> > a 'Pappu' 
> > >  [JTYJN]. However, 'Shano Shano' doesn't really turn out to be 
> THE 
> > hip-
> > >  n-happening number which one would have expected as the tune 
> > doesn't 
> > >  make you head towards the dance floor even after repeat hearing. 
> > A 
> > >  number which sees quite a few singers coming together - Sonu 
> > Nigam, 
> > >  Srinivas Kartik, Timmy, Sunaina, Vivienne Pocha and Tina -
>  'Shano 
> > >  Shano' is a letdown. 
> > > 
> > >  A shorter 'remix version' comes at the album's end. Featuring 
> > EMBER, 
> > >  it has the husky sound of 'Main Main Main Main Yuvvraaj' going 
> in 
> > the 
> > >  background. Now it has to be seen that to what extent does 
> Salman 
> > >  manage to turn around the fortunes of this song! 
> > > 
> > >  Reminding of the kind of songs that Bhupinder Singh used to sing 
> > in 
> > >  the late 70s/early 80s, 'Zindagi' is the next to come. Srinivas 
> > >  croons this sad track which has minimal instruments in the 
> > background 
> > >  and mainly has him occupying the center-stage. A number about 
> > >  questioning life around the losses one has seen, this one is yet 
> > >  another hardcore situational track which barely manages to pass 
> > >  muster. In fact one wonders whether this number, that is almost 
> > semi-
> > >  classical in appeal, would play in it's entirety in the film 
> > since it 
> > >  lasts as long as 5 minutes! 
> > > 
> > >  Wait, there is more to come. The song which follows next, 'Dil 
> Ka 
> > >  Rishta', is almost 8 minutes long! Seemingly a climax track 
> which 
> > >  opens with clear inspiration from Beethoven, 'Dil Ka Rishta' 
> > appears 
> > >  to be a concert in progress with fusion of Indian and Western 
> > >  classical. Expect the situation in the film to have a grandeur 
> > appeal 
> > >  to it, especially with the opening two minutes being entirely 
> > >  dedicated to the coming together of various musical instruments 
> > and 
> > >  chorus (Clinton, Suzanne, Vivieanne Pocha, Naresh, Benny, 
> > Blazze). 
> > > 
> > >  Later Sonu Nigam, Roop Kumar Rathod and A R Rahman come together 
> > >  for 'Dil Ka Rishta' which promises to exceed the effect created 
> > >  by 'Taal Se Taal Mila' or 'Kahin Aag Lage' from Taal on the 
> > screen. 
> > >  Yes, there is a grand quality to this song but on the flip side 
> > >  doesn't have in it to be sung around the town. At maximum, it 
> > would 
> > >  make for a good cinematic appeal. 
> > > 
> > >  'Manmohini Morey' is a fusion classical track which comes with a 
> > good 
> > >  probability on being filmed on Anil Kapoor. Good, but 
> > situational. 
> > >  Yet again! 
> > > 
> > >  Once Yuvvraaj comes to an end, one wonders that which of the 
> > songs 
> > >  from the album would turn into a chartbuster. And to one's 
> > surprise, 
> > >  it is hard to pin point on a particular track since Ghai and 
> > Rahman 
> > >  have mainly come up with the soundtrack that would possibly fuse 
> > well 
> > >  with the narrative but doesn't really throw a number which would 
> > make 
> > >  its presence felt from the top. Collectively, the album does 
> have 
> > >  it's moments as only a song or two don't quite make an 
> > impression. 
> > >  Celina Jaitley, Golmaal Returns
> > > 
> > >  At the music stands though, Yuvraaj has a good probability of 
> > making 
> > >  an early impression since the name Rahman sells. However, don't 
> > >  expect a Taal or even Jaane TuÂ… Ya Jaane Na that had more than 
> > just a 
> > >  couple of chartbuster hits. 
> > > 
> > >         
> > > 
> > > __________________________________________________
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>



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