Ya true... Maybe people at the BFCA and Golden globes and us who love
the film, we have gone nuts LOL....

Niven

--- In [email protected], Aakarsh <aakarsh...@...> wrote:
>
> By far, this is one of the good review of the film.
> �
> I have seen this film and i had exactly same thoughts as the author
of this article had, about the loopholes and the treatment.
> The film is fine and good enough, if it has not been hyped much. But
after all this superlatives, one would expect really BIG. and there
this film falls short, a lot.
> �
> Indian filmmakers can potray India and realism in a much better way,
IMO.
> Anyways, my personal thoughts.
> 
> 
> Regards
> Kamal Aakarsh Vishnubhotla.
> �
> http://kamal-aakarsh.blogspot.com 
> �
> 
> --- On Sat, 1/10/09, Vithur <vith...@...> wrote:
> 
> From: Vithur <vith...@...>
> Subject: [arr] Slumdog Millionaire is just a masala film - Rediff.
> To: [email protected]
> Date: Saturday, January 10, 2009, 10:26 PM
> 
> 
> 
> 
> 
> 
> 
> Blame it on the hype. 
> The reviews -- mainly from the United Kingdom and the United States,
where the film was released first -- for Slumdog Millionaire [Images]
compete with each other in discovering superlatives. It is being
billed as the movie of the year gone by, and has catapulted its
protagonists Dev Patel and Freida Pinto�into competing with Oscar
heavyweights in major award nominations. 
> So expectation is par for the course, I hope you will agree.
> But after watching director Danny Boyle's attempt at encapsulating
the India story with a miraculous tale, I for one was majorly
under-whelmed.� 
> Let me try to explain why. 
> 
> 
> Also Read: Showcasing Slumdog Millionaire
> And for those of you who want to watch the movie first unencumbered
by premature knowledge of plot turning points, please click away to
another page, because it is impossible to critique this particular
film without giving away what classify as 'spoilers'.
> So where was I? The film. Do you remember a recent movie that had
the tagline�-- 'he was arrested for raping his daughter'? Well,
Under-trial too was based on 'real events'. 
> The point I am trying to make is that a film about real events need
not end up real enough, or engaging enough. That is precisely what
Slumdog Millionaire suffers from, IMHO.
> The premise is brimming with potential. A slum kid rises above fate
to win Kaun Banega Crorepati�-- the sets are ditto, as is the
background music for the show�-- and the love of his life. He is
helped by destiny, as each of the questions on the quiz show is linked
to an event in his life. Wow. 
> But the execution falls very flat because of two basic flaws: The
language barrier, and a wishy washy story line. 
> It starts off with Jamal Malik being given the 'third degree' in a
police station because the cops are sure the slum kid has cheated on
the game show. 
> I agree custodial torture is not limited to Abu Ghraib. But what is
not taken into account is the usual fall guy in 21st century India�--
the media. If a 'slumdog' -- as the police inspector (Irrfan Khan
[Images]) calls Jamal -- were to be poised to win Rs 20 million on KBC
and if the country knew it (as it does in Slumdog), I doubt he would
be subjected to any other grilling apart from that most profound of
television journalism questions: "Aapko kaisa lag raha hai?" (How are
you feeling?). 
> And if he was arrested for cheating, it would be an even bigger
story, with reporters grilling the police and PYTs (pretty young
things) doing PTCs (piece to cameras, the bit where the reporter faces
the camera and signs off with usually insights like: 'What will happen
next remains to be seen. With cameraperson in Mumbai [Images], , ') in
front of Jamal's slum.
> Instead, Jamal narrates to the police inspector just how he knows
the answer to each question.
> So we flashback to him as child diving into potty�-- isn't once
enough, given that Boyle's gritty and edgy Trainspotting featured such
a nauseating scene too?�-- to get Amitabh Bachchan's [Images] autograph. 
> For all the Amitabh-crazed fans, maybe the megastar does oblige
children caked in faeces; be sure to try it the next time. 
> More such flashbacks reveal the scars life has inflicted on Jamal
and his brother Salim. The Bombay riots that orphaned Jamal; how he
and his brother Salim met Latika, the love of Jamal's life, as
children; the underworld don who has children's eyes gouged out so
that they can earn more as beggars; how Jamal and Salim escape him and
land up in Agra [Images]; how they come back; how Jamal and Salim and
Latika are thrown apart; and how, eventually, love conquers all. 
> Again, fantastic�-- and seemingly real�-- premise; but shoddy
experience. 
> For starters, the kids (who deliver heart-warming performances,
faring way better than those who play their adult avatars) and his
brother speak in Hindi, and suddenly when they turn adolescent they
start talking in pucca English. Huh?
> Arre, that's because the film is meant for a world audience, and you
can't have an entire film in subtitles, you might say. Fine, but then
why do the police officers have to speak 'Indian' English and why does
the 'slumdog' have an accent?
> And no, a semi-literate office help in a call centre does not
develop an accent.
> In fact, a lot of the 'how he knows the answers' flashbacks are too
contrived. Sample this, Jamal knows Samuel Colt invented the revolver
because Salim got a gun -- it is never explained how -- and shot dead
the vile man who heads the beggars' racket. In my hometown, the pistol
goes by monikers like 'machine' in the netherworld; I doubt the
average underaged Mumbai underworld operative knows a Colt 45, or
Samuel Colt. The first gun is usually what is called a 'country'
revolver. 
> And then there is the stereotyped, half-baked, black and white
characterisation, almost bar none. For example, Prem Kumar (Anil
Kapoor [Images]), the KBC host, is the typical villain who taunts the
chaiwallah on his show; and the audience joins in with jeering
laughter. Agreed, slum children get life's rawest deal, but not on
live television. More likely, sugary treatment on the show, and bitter
backstage. 
> It is also not explained just why Prem goes after Jamal with such
malice, beyond a muttered 'It's my show'.� 
> I can go on and on -- like point out that call centres serving
customers in Scotland don't keep telephone directories of Indian
cities accessible at the click of a button, and that mobile phones are
not listed in telephone directories yet (that's how Jamal finds his
brother again) -- but the point is that Slumdog Millionaire is miles
short of what I had expected it to be.
> The really key events, the struggles of survival, are glossed over,
and instead we get montage (albeit beautiful) shots hurrying towards a
climax that leaves you untouched. A R Rahman's music is good, but not
the master's best. But then, maybe on second hearing it will grow on you.
> But -- maybe it's just me -- you never really feel for the adult
Jamal. Maybe it has something to do with the acting.
> I have no problems with the 'West' taking up themes of poverty and
highlighting the real India. I can completely understand a foreigner
being obsessed with the filth and the poverty -- I too was stunned by
the plight of the homeless in New York -- of India. I thought Slumdog
is brilliantly shot, and I am willing to forgive Ram dressed as a mix
between Shiva and Krishna in a foreign film. 
> But I do have a problem with a story that pretends to be real when
in reality it is just a masala film -- the kind we churn out by the
dozens in Bollywood. 
> Yes, Slumdog Millionaire is just superficial fluff, mainly because
of its gaping plot holes. It should have been much better researched,
and they really should have stuck to one language.
> Maybe the makers -- and half the world, apparently -- believe they
have married Bollywood escapism with Western sensibilities, but it is
not a match made in cinema heaven. It is more along the lines of 1970s
Bollywood tear-jerkers, the kind where the hero transforms from street
urchin to gang lord in one running shot and where long-lost brothers
are reunited by tattoos.
> Blame it on the hype.http://www.rediff. com/movies/ 2009/jan/
09review- slumdog-milliona ire-sumit. htm
> 
> -- 
> regards,
> Vithur
>


  • ... Vithur
    • ... Thulasi Ram
    • ... Chord
    • ... ramakrisha laxmana subramanian siva gopala acharya iyer .aiyooo amma idli wada dosa sambar chatni .
      • ... Thulasi Ram
    • ... Aakarsh
      • ... nivensamy

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