FACE-OFF | VINEET TANEJA
"Rahman fits in with our music strategy"

Posted: 2009-01-27 00:37:51+05:30 IST
Updated: Jan 27, 2009 at 0037 hrs IST


: Mobile devices have emerged as one of the most preferred mediums for
tuning in to music and revenues from mobile music is expected to grow
to nearly 23% of overall music revenues by 2010 (source: KPMG India).
There are currently about 31 million subscribers (source: Trai) in
India who are avid consumers of music on the go (a figure that
includes music downloaded from the internet), while IDC projects that
mobile music is poised to become a $720 market in India by 2008.
Already, consumers expect their cell phones to be multi-functional
devices that can provide them immediate access to all forms of
information and entertainment, wherever they may be. In a freewheeling
interview to FE's Radhika Sachdev, Vineet Taneja, head, marketing,
Nokia India, talks about the category leader's mobile music strategy
from the device and services perspective, explaining Nokia's aspired
positioning in this segment.



How much of the mobile music market is Nokia targeting in India? What
is the size of this market in terms of hardware sales and in terms of
revenue generated from music downloads?

A big chunk, I would say. We are the leading developers of mobile
music globally. We have sold over 300 million music-enabled devices
till date. This makes us the world's largest manufacturer of digital
music players. We also have Nokia Music Stores live in 12 markets
globally.

Across the world, sales of recorded music (in CD format) are declining
and the digital market is not picking up fast enough to capture this
fall (as per a recent, e-Marketer survey). What are the impediments?

We don't see any impediments in the growth of digital music. In fact,
we feel, given the bandwidth constraints, it is picking up a lot of
momentum. In addition, our surveys and figures indicate that mobile
devices have emerged as one of the most preferred media for listening
to music.

Your tie-up with record labels (IMI and Universal) reflects the
latter's search for alternative markets when sales at home have begun
to plummet. Your comments. Also, with the rampant music piracy in
India, will record companies and artists be able to generate the kind
of revenue from digital music that they once did from recorded music?

In India, the pattern of music consumption and distribution has
shifted radically in recent times and the future growth is likely to
come from non-traditional forms of listening to music. Therefore, the
entire ecosystem is coming together finally to create newer business
models.

Our tie up with IMI and Universal is a significant step forward in
shaping this digital music ecosystem and aligning the interests of
music companies with telecommunications. Through this association we
will not only be able to create the most comprehensive music offering
designed to meet the increasing consumer appetite for mobile music,
but will also create a new revenue stream for the music industry at large.

Initiatives such as Comes With Music, which offers one year of
unlimited access to the entire Nokia Music Store catalogue is one such
attempt. These have evolved out of our discussions with the music
industry for a viable idea that would give listeners an exciting new
music experience besides generating alternative revenue stream for the
music industry, including artists, labels and other stakeholders.

Camera phones sell more than digital cameras. When do you foresee such
a thing happening for music phones?

It is happening already. The consumer now wants a single device to
replace multiple devices. Media reports predict that over 280 million
MP3-enabled devices are expected to be sold by 2010. According to some
estimates, there will be a nine-fold increase in mobile music
purchases (compared to any other format) by Indian consumers by 2009.

Nokia recently launched the 5800, which has a new album, Connections,
by AR Rahman. The album Connections has nine special tracks available
only on the phone. Is AR Rahman your answer to Samsung's Aamir Khan?

Our association with Rahman indeed dates back to 2005 when we first
worked with him to launch the music optimised Nokia N91. Then in the
last three years, we associated with Rahman for some of the most
special music initiatives such as the launch of our first vertical
format video, Pray For Me, Brother, on Nokia N91, N70 and N73 or Nokia
XpressMusic remix contest for Rahman's musical "Ada".

We recently launched an album, Connections, with AR Rahman. This is
the first time that Rahman has cut an album for a device maker.
Featuring nine original scores from different parts of India, the
composition is inspired by our brand proposition, "Connecting people".
The title track Jiya se jiye is an amalgamation of these different
genres of music.

In our opinion, Rahman is a legend who has redefined contemporary
Indian music and due to those attributes our association with him is
strong and long term. He fits in beautifully with our music vision and
strategy.

Tell us some bit more about XpressMusic

XpressMusic handsets are dedicated music-optimised devices. They come
with dedicated music key(s), music pause/resume features on incoming
calls, support for 3.5 mm connectors and extended battery life for
undisrupted listening. With this portfolio, we recently launched the
much-awaited Nokia 5800 XpressMusic, a touch device with human
interface. Some other devices launched under this range include 5610,
Nokia 5310, Nokia 5700, Nokia 5300, Nokia 5200 and Nokia 3250.

What is your marketing plan for an experiential product like a music
phone?

We are using playlists to make messages. The names of song titles are
being used to convey key product messages. For example, "I" "AM"
"Touch" "Music" "Phone"—all these are songs by key bands—like Touch is
by U2. What's interesting here is that we're creating innovative
properties on radio, television, on-ground etc where consumers will
use song titles to send SMS to each other. For all you know, it may
just start a new way of communicating among the youth.

In addition, we are co-sponsoring Campus Rock Idol (CRI), a rock band
competition spanning over 300 campuses across India, with rock shows
in 10 key cities. We're leveraging this CRI association for Nokia 5800
specifically.

We've already associated with Euphoria for this. They have composed a
song (in English) for us based on the power of music. This is uploaded
on the CRI website, from where rock bands can download it and make
their own version of it. They get to perform it on stage during the
CRI rock shows and each of the 10 cities has a winner for the best
rendition of this song. From these 10 city winners, the winner band
will be selected by Palash Sen. They will get to visit the Euphoria
studio and spend time with Euphoria (they also get Nokia 5800s) in the
deal.

Nokia is an established leader in the GSM space, although within that,
Samsung, Sony Ericsson (Walkman series) are better known for the
quality of their music phones than Nokia is. Can you tell us why?

We don't accept that assertion. As I mentioned before, we are the
world's largest manufacturer of digital music players and that
wouldn't be possible without gaining an incredible amount of knowledge
and insights into what people want in their music device and without
tracking trends on how they consume music.

You may not be aware but we are one of the few players in the industry
that offer two unique music sub-brands, XpressMusic, an entry-level
devise targeted primarily at the youth and the Nseries, a multimedia
device that comes in a special music edition. The music experience in
this series is enhanced through better sound quality, a larger memory
base, local content and other features. 


http://www.financialexpress.com/news/rahman-fits-in-with-our-music-strategy/415511/0

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