(For the benefit of those who are unable to open the link)

 Rahman and the Oscars

I am really happy for A R Rahman. He is a musical genius, and deserves
everything he has got. In fact I gave him the title "Mozart of Madras" and
it caught on. But does the West really get his art and his genius ? I
remember getting into an argument with Andrew Lloyd Webber about allowing A
R Rahman to explore his own creativity for Bombay Dreams. We had co produced
the show and I had introduced Rahman and his music to him.

I asked A R Rahman to score the music for Golden Age, and even then I was
allowed only to take him as a co composer. And I watched as the studio
rejected the most beautiful compositions from A R Rahman, because they did
not get or were not willing to embrace something from another culture. As it
happened the score of Golden Age was not half as good as it could have been.

Recently Rahman did the score for my short film that I did for Swarovsky,
called Paasage. The one I shot in Argentina. One of the pieces in it is a
beautiful song and an aria in French. I ask people to guess where it is
from, and they search for all the great composers of the western classical
form. And are stunned when I tell them the piece was composed by A R Rahman,
sung by an Indian girl from his Music Academy, and produced in his studio in
Chennai.

That is the genius of A R Rahman. Then why do we need the West to tell us
how great he is ?

And that's why I don't understand why this hype of the Oscars for A R Raham
in Indian Media (Rah Rah Rahman was the TOI headline).. He is bigger than
the Oscars Slumdog is not his best work. His music has been far more
evocative than in Slumdog.

We in India have a far greater culture of music. Our depth of understanding
of music, its resonance, its culture, be it classical or modern, is far
greater than any culture I know. So why don't I see that the West celebrates
when one of their artists becomes popular here in India ? Why don't we see
headlines in the LA times then ?

Why do we admire the West so much. Even in my career I thought that Bandit
Queen was a far far better film, a more heartfelt film, and a much more
meaningful film than Elizabeth or any of the other films I made in the West.
But in India I was suddenly celebrated as a film maker after Elizabeth. I
even was awarded a Padma Shree after that film. Why ? Because the film was
nominated for 7 Oscars, and Bandit Queen was not.

When will we stop being aspirational towards the West ?

On Tue, Jan 27, 2009 at 10:26 PM, Chord <[email protected]> wrote:

>   This is a great read. Thanks.
>
> --- In [email protected] <arrahmanfans%40yahoogroups.com>,
> Aakarsh <aakarsh...@...> wrote:
> >
> > http://www.shekharkapur.com/blog/archives/2009/01/rahman_and_the.htm
> >
> > ARR scored music for Shekhar's recent short-film, shot in Argentina.
> >
> >
> > Regards
> > Kamal Aakarsh Vishnubhotla.
> >
> > http://kamal-aakarsh.blogspot.com
> >
> >
>
> 
>



-- 
regards,
Vithur
  • ... Aakarsh
    • ... Chord
      • ... Vithur
        • ... Vinayakam Murugan
          • ... sandeep venkatachari
          • ... ramakrisha laxmana subramanian siva gopala acharya iyer .aiyooo amma idli wada dosa sambar chatni .
            • ... r_a_j_e_e
        • ... V S Rawat
          • ... Vithur
            • ... V S Rawat
              • ... Srini Santhanam
        • ... Ramesh R

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