Rahman has set a goal for all of us!'
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*Rajiv Vijayakar
<http://www.screenindia.com/columnist/rajivvijayakar/>*Posted: Feb 13,
2009 at 1537 hrs IST
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*His fifth solo film Mere Khwabon Mein Jo Aaye released last week, Lalit
Pandit is now upbeat about the musical scene in general and his career in
particular*
The '90s, say careful music observers, belonged to Jatin-Lalit more than to
anyone else. From Yaara Dildaara in 1990 to Sarfarosh and Sungharsh in 1999,
the duo touched peaks as momentous as Dilwale Dulhania Le Jayenge, Khamoshi
and Kuch Kuch Hota Hai. In the millennium, the hits turned few and
far-between (Mohabbatein, K3G, Hum Tum, Fanaa) and after the last film Jatin
and Lalit Pandit parted ways professionally, even if they still appeared
together on reality television.

After the split, Lalit Pandit soon went on to release Life Mein Kabhi
Kabhie, Showbiz, Rafoo Chakkar and the audio of Horn OK Pleasss. His Mere
Khwabon Mein Jo Aaye has just released. But in this same period music
underwent a paradigm change.

As we lounge in his cool music room, Lalit exhibits a calm that seems at
variance with the turbulent change in musical trends. "I agree that music
has changed a lot since Jatin and I parted ways. And it's not all for the
better, because they are too much into finding tunes from the 'Net. We know
of a top-name filmmaker who had to pay a huge sum to the original rights'
owners because his music director had not informed him that a song had
recorded was copied from a foreign source!"
But Lalit is quick to add that there are new music makers who have impressed
him too. "Shankar-Ehsaan-Loy are very strong in composition and
orchestration. Vishal-Shekhar's songs have a lot of freshness. And
A.R.Rahman has set a goal for all of us to aspire with his awards and Oscar
nomination for Slumdog Millionaire. It may not be his best work but his
mehnat has paid off and that an Indian has reached there is a very
prestigious moment for the country."

The composer is also confident that melody is going to come back in a big
way. "Good songs always register," he points out. "Jatin-Lalit's strength
was always melody and now I am enjoying the process of changing my music to
blend with modern orchestration and today's phrasing. Frankly, our '90s
music was easier to make. Today's music, if one has to integrate melody, is
tougher, more challenging."

A guitarist and pianist besides being a composer, Lalit says that and he is
not out-of-sync with such change. "We were the youngest from the '90s lot of
Anu Malik, Nadeem-Shravan and Anand-Milind, all of whom technically belonged
to the '80s. We came in during the transit phase and got the best of both
worlds, down from working with R.D.Burman as child singers to composing
songs written by Anand Bakshiji and Majrooh Sultanpurisaab."

Lalit admits that his solo work to date has been lacklustre, but stresses
that more than ever before the director's vision has become important in
inspiring a composer today. "Every word has to be interpreted. When the
director has done his homework on a film good work becomes easy. It becomes
still easier when a big film is there and also big stars. In that sense, my
real break will be Muddassar Aziz's Dulha Mil Gaya, my ninth film with
Khansaab (as I refer to Shah Rukh Khan). I have experimented with Amit
Kumar's voice on him in both songs, for the first time after Kabhi Haan
Kabhi Naa."

But two trends that Lalit would not care to follow are the current fads for
using non-singers and also pitching male voices high. "I cannot think along
such lines," smiles the composer. "I come from a gharana of musicians and
singers and singing for films is no joke. A good singer can even lift a
kamzor song. But I have always believed in introducing fresh, deserving
talent and today I am glad that new voices are being accepted better than
before."
Finally, we have been hearing that the estranged duo are coming back
together. Is that true? "I am afraid not," says the composer.

http://www.screenindia.com/news/rahman-has-set-a-goal-for-all-of-us/421678/

-- 
regards,
Vithur

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