This is NON ARR thread which is leading to nowhere. Appreciate if you cut this. He says ARRs music is outstanding. Going by your theory, hes being narrow minded here as well? why the double standards?
On Fri, Feb 20, 2009 at 12:05 PM, raj_d_kumar <[email protected]>wrote: > i think we should change this Taran Adarsh name to " Trash An trash" . > He just like the movies of SRK, Karan Johars aand Yash Chopra's... > > He just watch the good and intelligent movies with a narrow mind. and > when his fav makers make crap movies.. he use the double language like > " leave the brain at home and go and you will enjoy.. " > > What kind of guy is this.. > > anyway .. > > ARR Rulez.. > > --- In [email protected] <arrahmanfans%40yahoogroups.com>, > "rayrai2k" <ravis...@...> wrote: > > > > I always read this guys name as Trash. But I now have no regrets > > calling him so. His review was expected and what more can be since > > theres no Yash / Karan / SRK. That alone is the reason for him to > > review so badly. Either he was all along drowned in his phone not > > paying interest to dialogs. What made him give 3.5 to Billu if D6 is > > 1.5. > > Teri oonchi shaan hai maula > > Meri arzi maan le maula > > Tu hai sab kuch jaanne waala > > Main hoon tera maanne waala > > Kaise kaison ko diya hai > > Aise vaison ko diya hai > > > > D6 is definitely a very good movie after RDB. Just like the feel > > after watching the RDB first time, I walked with a thought would this > > sell. later every scene I recall is forcing me to watch it again. > > AB is not as great as seen in Yuva but is far better than any of his > > other work including Sarkar. > > > > --- In [email protected] <arrahmanfans%40yahoogroups.com>, > "rivjot" <rivjot@> wrote: > > > > > > http://www.bollywoodhungama.com/movies/review/12980/index.html > > > > > > Rakeysh Omprakash Mehra thinks out of the box and it's more than > > > evident now. First AKS, then RANG DE BASANTI, now DELHI 6. A two- > > liner > > > of the story may give you an impression that it's similar to UTV's > > > earlier outing SWADES, directed by Ashutosh Gowariker: An American > > of > > > Indian origin returns to his roots and decides to stay back in > > India. > > > But DELHI 6 bites more than it can chew. > > > > > > Set in old Delhi, the screenplay [Rakeysh Omprakash Mehra, Prasoon > > > Joshi, Kamlesh Pandey] takes its own sweet time to come to the > > point. > > > In fact, the entire first half is dedicated to the sundry characters > > > in the bylanes of old Delhi, where several stories run parallel with > > > the main plot... The two warring brothers [Om Puri, Pawan Malhotra] > > > and the wall that divides the two; the daughter of the house [Sonam > > > Kapoor] aspires to be an 'Indian Idol' contestant; a moneylender's > > > [Prem Chopra] wife has an illicit relationship with one of his > > > lecherous debtors [Cyrus Sahukar]; an 'untouchable' [Divya Dutta] > > > makes more sense than the so-called thekedaars of samaj; a friend of > > > the family [Rishi Kapoor] has still not forgotten his first love > > > [Tanvi Azmi]. Oh yes, there's also a 'Kaala Bandar' who spreads > > havoc > > > in the locality. Really, Rakeysh tries to pack in multiple stories > > in > > > those 2.18 hours. > > > > > > But, alas, the problem is that barring a few individualistic > > > sequences, you don't carry the film home. The film is engaging in > > bits > > > and spurts. Worse, it tends to get monotonous, preachy and boring > > and > > > the end is so bizarre, you actually want to ask the writers, 'Hey > > > guys, you okay?' > > > > > > Let's cut a long story short: Rakeysh Omprakash Mehra misses the bus > > > this time. > > > > > > DELHI 6 tells the story of a young American boy Roshan [Abhishek > > > Bachchan] of Indian origin, who comes to India for the first time, > > to > > > drop his ailing grandmother [Waheeda Rehman]. She wants to retire > > and > > > spend the last leg of her life back home; dissolving into the soil > > she > > > was born in. > > > > > > In America, having led a very western lifestyle, Roshan is not > > > familiar with the sites and smells, the food and culture, the > > religion > > > and beliefs, this huge melting pot that India is. He believes that > > > Dadi had left her family and loved ones back in America, only to > > > realize that how wrong he was. > > > > > > The warmth and affection of the neighbourhood embraces him with open > > > arms. Amidst all this he meets the beautiful Bittu [Sonam Kapoor], > > who > > > wants to break free from the typical Indian social structure, to > > whom > > > Roshan is destined to lose his heart. > > > > > > That Rakeysh Omprakash Mehra is an accomplished storyteller is > > evident > > > in several individualistic scenes. Note the scene when Vijay Raaz > > > slaps Abhishek and Abhishek slaps him back. Also, portions in the > > > second hour, when a Baba [Akhilendra Mishra] triggers off the > > > Mandir-Masjid talk and divides the two communities, is very well > > > structured. The sequences are disturbing and the writers and > > director > > > succeed in exposing the fickle-minded people residing in the > > locality. > > > > > > But the screenplay isn't foolproof. The romantic track is the > > weakest > > > link in the enterprise. The love story falls flat. Also, the ending > > is > > > so abstract that an average moviegoer would find it difficult to > > > comprehend what the actual culmination is. The sequence in the end, > > > when Amitabh and Abhishek have a conversation, looks weird. In fact, > > > ridiculous. What was the need to have this sequence? It makes no > > > sense. Even the Ram Leela sequences, interspersed at regular > > > intervals, are forced in the screenplay. > > > > > > Rakeysh's handling of the subject is exemplary at places. But the > > > writing [faulty at times] as also the execution of the material > > isn't > > > the type that would appeal to all sections of moviegoers. A.R. > > > Rahman's music is outstanding; it's easily amongst his finest works. > > > 'Masakali', 'Ye Dilli Hai Mere Yaar', 'Rehna Tu', 'Maula' and 'Genda > > > Phool' are amazing tracks. Ditto for Prasoon Joshi's lyrics; they're > > > gems. Binod Pradhan's cinematography is brilliant. Watch the Jama > > > Masjid sequence [breath-taking] or the camera movements in the > > bylanes > > > of old Delhi. Just one word to describe the output: Incredible! > > > > > > Abhishek doesn't work. Also, his American accent looks fake. Sonam > > is > > > likable. Waheeda Rahman enacts her part well. Rishi Kapoor is > > wasted. > > > He deserved a better role. Amongst supporting actors, Om Puri > > > [powerful], Pawan Malhotra [flawless], Vijay Raaz [tremendous], > > Deepak > > > Dobriyal [genuine], Divya Dutta [admirable] and Cyrus Sahukar > > > [likable] leave a mark. > > > > > > Prem Chopra is alright. Atul Kulkarni looks like a buffoon. And what > > > is Raghvir Yadav doing in this film? Supriya Pathak, Tanvi Azmi, > > K.K. > > > Raina, Akhilendra Mishra and Dayashanker Pandey are passable. > > Amitabh > > > Bachchan's presence in the penultimate minutes fails to evoke any > > > reaction. > > > > > > On the whole, DELHI 6 has a terribly boring beginning [first hour], > > an > > > absorbing middle [second half] and a weak end [climax]. At the > > > box-office, the business is bound to be divided. The film may record > > > bountiful collections at multiplexes in its opening weekend. The > > > popular music as also the fact that there's no major opposition will > > > benefit the film in the initial days. But the business at single > > > screens as also the mass belt will be a shocking contrast. However, > > > the cracks will start appearing sooner than expected, even at > > plexes. > > > Thumbs down! > > > > > > Rating - 1.5/5 > > > > > > > >
