just watched it. i must say it is not that bad. in fact i liked it. though it is not anyway near RDB but it is a pretty good movie.
one thing which really p** me off is how badly they picturized Rehna Tu. oh man i don't believe how badly they spoiled and literally wasted the song. i kept wondering why the HELL they placed it there and why the HELL when Roshan (Abhishek) was with Ali (Rishi), it made no sense at all. to who he was singing "rehna tu hai jaisey tu"?? i always thought it would be towards Sonam's character. it was completely idiotic. complete waste of a gem of a song. --- In [email protected], Chord <purev...@...> wrote: > > > > Agreed. Thumbs down to a movie doesn't nec mean thumbs down to the > music. Yes, movie success helps in music success, but I think ARR has > already established music success with D6. D6 is one of those > extra-ordinary scores that doesn't depend on the film's BO outcome to > score well. > > Boy, what a downer when I woke up today.......bad reviews of D6 the > movie, possibly leaked Oscar results with Rahman winning > nothing....(hope it's fake)....... > > On Tue, Feb 10, 2009 at 9:05 AM, kenny korg <kenny_k...@...> wrote: > > bro thanks for the good information... > > > > > > --- On Fri, Feb 20, 2009 at 4:56 AM, rivjot <rivjot@> wrote: > > > > To: [email protected] > > Date: Monday, February 9, 2009, 1:31 PM > > > > guys, there is lot of confusion with people that arr is islamist. that is > > simply not true. I have been explaining this to so many people among my > > friends I thought I will tell here also. arr has himself often distanced > > from islam quite openly on many occassions during interviews .. by saying he > > follows sufism. even as recently as last month, he told in an interview with > > rediff that he is not religious but spiritual (when asked about islam). a > > little background would help I guess .. sufism borrows most of its ideas > > from buddhism.. like, sainthood, killing your ego(fanaa), the concept of > > medetation and introspection etc. as a matter of fact, true islamists hate > > the sufis. remember they even bombed the ajmer dargah in 2007 ? > > > > > > for further reading check out these links > > http://www.islamreligion.com/articles/1388/ > > http://www.berzinarchives.com/web/en/archives/study/islam/general/rela tion_between_buddhism_sufism.html > > http://en.wikipedia.org/wiki/Fanaa_(Sufism) > > http://www.amazon.co.uk/Sufism-Not-Islam-Comparative- Study/dp/8186030352 > > > > gops, hope u'll approve this.. cuz its relevant and puts things in right > > perspective about arr. > > > > thanks > > Dil. > > > > > > --- In [email protected], Leslie D <dorai365@> wrote: > >> > >> As soon as the first review was out on indiafm.com,people started > > abusing > >> Taran Adarsh saying he is trash etc. But now if you look at the web, you > >> will see that most people agree with what has been said about the movie. > >> Unfortunate but true. But that in no way guarantees that the movie won't > >> make money. It is a low budget movie with hardly any extravaganza. So it > >> might recoup its investment and be classified as a hit. But not all are > >> liking the movie. > >> Please show some restraint in criticizing people. It is his job to > > review > >> the movie and if he didn't like it, that is fine. Like someone said, > > most of > >> the time he gets it right. Let us just hope this is one of the times > > that he > >> screwed up. > >> Patience .... > >> > >> On Fri, Feb 20, 2009 at 4:56 AM, rivjot <rivjot@> wrote: > >> > >> > http://www.bollywoodhungama.com/movies/review/12980/index.html > >> > > >> > Rakeysh Omprakash Mehra thinks out of the box and it's more than > >> > evident now. First AKS, then RANG DE BASANTI, now DELHI 6. A two-liner > >> > of the story may give you an impression that it's similar to UTV's > >> > earlier outing SWADES, directed by Ashutosh Gowariker: An American of > >> > Indian origin returns to his roots and decides to stay back in India. > >> > But DELHI 6 bites more than it can chew. > >> > > >> > Set in old Delhi, the screenplay [Rakeysh Omprakash Mehra, Prasoon > >> > Joshi, Kamlesh Pandey] takes its own sweet time to come to the point. > >> > In fact, the entire first half is dedicated to the sundry characters > >> > in the bylanes of old Delhi, where several stories run parallel with > >> > the main plot... The two warring brothers [Om Puri, Pawan Malhotra] > >> > and the wall that divides the two; the daughter of the house [Sonam > >> > Kapoor] aspires to be an 'Indian Idol' contestant; a moneylender's > >> > [Prem Chopra] wife has an illicit relationship with one of his > >> > lecherous debtors [Cyrus Sahukar]; an 'untouchable' [Divya Dutta] > >> > makes more sense than the so-called thekedaars of samaj; a friend of > >> > the family [Rishi Kapoor] has still not forgotten his first love > >> > [Tanvi Azmi]. Oh yes, there's also a 'Kaala Bandar' who spreads havoc > >> > in the locality. Really, Rakeysh tries to pack in multiple stories in > >> > those 2.18 hours. > >> > > >> > But, alas, the problem is that barring a few individualistic > >> > sequences, you don't carry the film home. The film is engaging in bits > >> > and spurts. Worse, it tends to get monotonous, preachy and boring and > >> > the end is so bizarre, you actually want to ask the writers, 'Hey > >> > guys, you okay?' > >> > > >> > Let's cut a long story short: Rakeysh Omprakash Mehra misses the bus > >> > this time. > >> > > >> > DELHI 6 tells the story of a young American boy Roshan [Abhishek > >> > Bachchan] of Indian origin, who comes to India for the first time, to > >> > drop his ailing grandmother [Waheeda Rehman]. She wants to retire and > >> > spend the last leg of her life back home; dissolving into the soil she > >> > was born in. > >> > > >> > In America, having led a very western lifestyle, Roshan is not > >> > familiar with the sites and smells, the food and culture, the religion > >> > and beliefs, this huge melting pot that India is. He believes that > >> > Dadi had left her family and loved ones back in America, only to > >> > realize that how wrong he was. > >> > > >> > The warmth and affection of the neighbourhood embraces him with open > >> > arms. Amidst all this he meets the beautiful Bittu [Sonam Kapoor], who > >> > wants to break free from the typical Indian social structure, to whom > >> > Roshan is destined to lose his heart. > >> > > >> > That Rakeysh Omprakash Mehra is an accomplished storyteller is evident > >> > in several individualistic scenes. Note the scene when Vijay Raaz > >> > slaps Abhishek and Abhishek slaps him back. Also, portions in the > >> > second hour, when a Baba [Akhilendra Mishra] triggers off the > >> > Mandir-Masjid talk and divides the two communities, is very well > >> > structured. The sequences are disturbing and the writers and director > >> > succeed in exposing the fickle-minded people residing in the locality. > >> > > >> > But the screenplay isn't foolproof. The romantic track is the weakest > >> > link in the enterprise. The love story falls flat. Also, the ending is > >> > so abstract that an average moviegoer would find it difficult to > >> > comprehend what the actual culmination is. The sequence in the end, > >> > when Amitabh and Abhishek have a conversation, looks weird. In fact, > >> > ridiculous. What was the need to have this sequence? It makes no > >> > sense. Even the Ram Leela sequences, interspersed at regular > >> > intervals, are forced in the screenplay. > >> > > >> > Rakeysh's handling of the subject is exemplary at places. But the > >> > writing [faulty at times] as also the execution of the material isn't > >> > the type that would appeal to all sections of moviegoers. A.R. > >> > Rahman's music is outstanding; it's easily amongst his finest works. > >> > 'Masakali', 'Ye Dilli Hai Mere Yaar', 'Rehna Tu', 'Maula' and 'Genda > >> > Phool' are amazing tracks. Ditto for Prasoon Joshi's lyrics; they're > >> > gems. Binod Pradhan's cinematography is brilliant. Watch the Jama > >> > Masjid sequence [breath-taking] or the camera movements in the bylanes > >> > of old Delhi. Just one word to describe the output: Incredible! > >> > > >> > Abhishek doesn't work. Also, his American accent looks fake. Sonam is > >> > likable. Waheeda Rahman enacts her part well. Rishi Kapoor is wasted. > >> > He deserved a better role. Amongst supporting actors, Om Puri > >> > [powerful], Pawan Malhotra [flawless], Vijay Raaz [tremendous], Deepak > >> > Dobriyal [genuine], Divya Dutta [admirable] and Cyrus Sahukar > >> > [likable] leave a mark. > >> > > >> > Prem Chopra is alright. Atul Kulkarni looks like a buffoon. And what > >> > is Raghvir Yadav doing in this film? Supriya Pathak, Tanvi Azmi, K.K. > >> > Raina, Akhilendra Mishra and Dayashanker Pandey are passable. Amitabh > >> > Bachchan's presence in the penultimate >
