Musical maestros not tuned in!BVS PRAKASH Times News Network 20 July 2009,
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  Know what AR Rahman, Vishal-Shekhar, Harris Jayaraj and Shankar-Ehsaan-Loy
have in common, besides music of course?   [image: AR
Rahman]<javascript:openslideshownew('/slideshow/4795321.cms?imw=460','541','526')>
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AR Rahman


All the musical maestros have been unable to weave their brand of magic when
they have composed for Tollywood films. While Telugu film buffs have
whole-heartedly welcomed actors, technicians and playback singers from other
language films, when it comes to music, it seems they mostly prefer local
composers. Interestingly while the dubbed compositions of Rahman( Roja to
Sivaji) and Jayaraj (Gharshana and Veedokkade) are lapped up by music
lovers, when they scored orginal music for Telugu films, the audience seemed
untouched. Ilayaraja was one of the few Tamil composers who had a dream run
in Tollywood for two decades. Oscar-winner A R Rahman has composed for Super
Police, while Harris has composed for Vasu, Sainikudu and Munna all of which
have failed to make any musical impact. Venkatesh who introduced Rahman to
Tollywood feels, “We (the producers) didn’t really exploit his genius in the
film and even the film didn’t fare well as expected.”

Venkatesh was also instrumental in bringing Jayaraj with Vasu and Gharshana,
and Vishal-Shekhar with Chintakayala Ravi. “New generation viewers are
demanding refreshing tunes and the duo lived up to it,” says producer
Nallamalapu Srinivas of Chintakayala Ravi. Later, Srinivas roped in Shankar
Ehsaan- Loy for Konchem Ishtam Kochem Kashtam. “No one can match Shankar’s
energy. It was great working with the trio,” he affirms. Actor Siddharth
describes Tamil composer Yuvan Shankar Raj’s work in Oye as excellent
compositions. While non-local musicians get rave reviews, Telugu composers
like M M Keeravani, Manisharma, Devisriprasad, Chakri, Hema Chandra, Mahesh
Shankar and Micky Jayer deliver the hits and rule the charts.

In the late 60s and early 70s, composers Shankar Jaikishan (Jeevitha
Chakram), OP Nayar (Neeranjanam), Laxmikant-Pyarelal (Manju) and RD Burman
(Antham) dabbled with Telugu music with mixed results. In the 80s,
non-Telugu composers MS Viswanathan, KV Mahadevan, and Bappi Lahiri carved a
niche for themselves in Tollywood. Director Sridhar Reddy says, “Unlike
other composers, Telugu-speaking composers will have an edge due to their
command over the language,” and feels Ilayaraja and MSV survived because
they could get the Telugu flavour in their compositions.
Once the local connect happens, even non-Telugu musicians can hit the
jackpot!

http://timesofindia.indiatimes.com/ENTERTAINMENT-Music-Musical-maestros-not-tuned-in/articleshow/4795301.cms

-- 
regards,
Vithur

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