Currently, the following comes to my mind... Meherbaan (ADA)
Hai Rama (RANGEELA) Nahin Samne (TAAL) Hum hain is pal yahaan (KISNA) specially the last 2 mins. Kabhi Neem Neem (YUVA) Kismat se tum (PUKAR) Title track (BOMBAY DREAMS) specially from 1:57 to 2:19. and the list goes on...... Regards, Aakash Shah --- In [email protected], "tmxtp" <timepass.ti...@...> wrote: > > > > > My most favorite part of Rahman's music is his crescendos - the way he > dabbles around, teases you, taunts you, teases you some more, taunts you > some more - and then suddenly there it is - the peak, mostly followed > by emptiness or silence, or sometimes he just carries on as if nothing > happened. I think this is one of his favorites too as he seems to try to > incorporate this wherever possoble. > > Awright, for official purposes, I need to change my stance from "My most > favorite part" to "One of my most favorite parts" since there are, first > of all, too many parts to love and then there is too many favorite > parts... - the bass (he probably was the first one to introduce bass in > almost all of his songs), new singers, versatality, OCD to some extent > in some (to actually most) of his songs, fusion (that I've craved from > my childhood) - esp carnatic and hindustani music with western beats. > > Some samples of crescendos (from recent songs - since I can't seem to > remember what I ate for dinner last night!!). Please add to these and > also let me know your favorite crescendo(s). > > Mausam and escape > > Dil gira dafatan > > In lamhon ki daaman mein >
