I think Man Mohana also have some of these stuff. On Thu, Jul 23, 2009 at 1:52 PM, Aakash <[email protected]> wrote:
> > > Currently, the following comes to my mind... > > Meherbaan (ADA) > > Hai Rama (RANGEELA) > > Nahin Samne (TAAL) > > Hum hain is pal yahaan (KISNA) specially the last 2 mins. > > Kabhi Neem Neem (YUVA) > > Kismat se tum (PUKAR) > > Title track (BOMBAY DREAMS) specially from 1:57 to 2:19. > > and the list goes on...... > > Regards, > Aakash Shah > > > --- In [email protected] <arrahmanfans%40yahoogroups.com>, > "tmxtp" <timepass.ti...@...> wrote: > > > > > > > > > > My most favorite part of Rahman's music is his crescendos - the way he > > dabbles around, teases you, taunts you, teases you some more, taunts you > > some more - and then suddenly there it is - the peak, mostly followed > > by emptiness or silence, or sometimes he just carries on as if nothing > > happened. I think this is one of his favorites too as he seems to try to > > incorporate this wherever possoble. > > > > Awright, for official purposes, I need to change my stance from "My most > > favorite part" to "One of my most favorite parts" since there are, first > > of all, too many parts to love and then there is too many favorite > > parts... - the bass (he probably was the first one to introduce bass in > > almost all of his songs), new singers, versatality, OCD to some extent > > in some (to actually most) of his songs, fusion (that I've craved from > > my childhood) - esp carnatic and hindustani music with western beats. > > > > Some samples of crescendos (from recent songs - since I can't seem to > > remember what I ate for dinner last night!!). Please add to these and > > also let me know your favorite crescendo(s). > > > > Mausam and escape > > > > Dil gira dafatan > > > > In lamhon ki daaman mein > > > > > -- ----------------------------------- http://ramblingsoul.com http://2ic.in
