Good Review Chord. 

"I would have liked to have heard more more interludes and variations in
Chiggy, Fiqrana, and Yaar Mila, esp Yaar Mila, which I found lacking in
terms of instrumentation and arrangements, but perhaps, that was the
intended purpose."

Agree. In fact IIRC you've mentioned lack of instrumental interludes as a 
weakness in all your reviews from Jodhaa Akbar to Blue. I second your views . 
Baradwaj rangan, the critic went to the extent of calling them as half-hearted 
interludes from Rahman. Delhi 6 was probably an exception as it had some great 
instrumental ludes in almost all the songs. But of late the vocal ludes and 
chants were dominant and instrumental ludes have become a rarity. Hope you 
won't mention this point as a negative when you review Raavan's music :)

And your writing is good & articulate. Trust me. You can have a competent 
career as a Writer too. Keep up the good work.

Drowning into Blue's Music. 





________________________________
From: ichord <[email protected]>
To: [email protected]
Sent: Wednesday, September 9, 2009 5:50:15 PM
Subject: [arr] My First Blue Review

  
This is not a song by song review, though I will mention songs, but merely my 
thoughts after several complete run throughs of the whole album.

Some ARR soundtracks are serious/classy/ melancholic, while others are 
commercial/fun/ peppy/.  Blue clearly falls in the latter.

But, Blue is no lightweight when it comes to Rahman's core strengths in 
delivering a score for a adventure/action/ thriller movie.  In fact, we have 
not seen AR do much of these types of scores in the past, esp. up North. As 
someone posted earlier, you cannot expect a much better score given the type of 
movie/script.  Anthony D'Souza as extracted well from AR. 

What I like about Blue:
What a thrilling album!!!!  Entertaining and rocking to the core!!!  Songs are 
instantly likeable, catchy, thumping! But, what makes the album even more 
interesting is the substance behind the style...the lush orchestration, new 
sounds, complex arrangements, mostly electronic bells and whistles.  Chiggy's 
combo of hip hop and Bhangra is seamlessly transitioned with incredibly sexy 
words and voice intonations by Kylie.  Sonu does his part with good aplomb and 
spirit.  I heard some great interludes in Rehnuma, Bhoola Tujhe, with Rahman's 
briiliant use of the Chennai Strings Orchestra.  Rashid Ali shines in Bhoola 
Tujhe with the lusth backdrop of acoustic guitar and lush symphonic 
arrangements, highlighted by a beautiful trumpet solo melody interlude and 
backdrop later.  The use of piano in a jazzish/latin flavor in Aaj Dil is 
nothing short of remarkable and brilliant.  Love the loopy rhythm guitar in Aaj 
Dil too.  Singing is stylish, passionate, and very
 convincing.  Fiqrana bosts of some extremely likeable rhythms and guitar riffs 
with a great performance by Vijay Prakash, who shows his versatility after a 
semi classical outing in Yuvvraaj.  You missed a good one, Farhan.  And Shreya 
shines throughout the album with her sexy, sensual, silky voice!!!!   Sonu's 
parts are also well substantive and I don't think you'll hear him complaining 
much this time around!  I love the raaga parts of Blue theme with the female 
voices and the guitar riffs and rocks are just jolting in that one.  Love the 
underwater sound in the end.  Rehnuma strikes me as a song that AR would 
compose had Farhan Akhtar done a movie with him, mild traces of SEL's Don's 
music here in terms of mood and chord progressions, but nothing at all copied.  
A very James Bondish number as my friend pointed out.  Udit and Madhushree do a 
light hearted but fun tune in Yaar Mila, with minimalistic sound, but with nice 
melody.  I feel that the lyrics
 are overall average, but perhaps apt.

The album boasts of spontaneity, pazzaz (sp?), and some of the most rocking, 
thrilling, entertaining numbers our Boss has delivered with lush sounds with 
such a variety of genres here and new trends.

What I don't like about Blue:
Well, some of the rhythm tracks are a bit straightforward. I would have liked 
to have heard more more interludes and variations in Chiggy, Fiqrana, and Yaar 
Mila, esp Yaar Mila, which I found lacking in terms of instrumentation and 
arrangements, but perhaps, that was the intended purpose.  The ability to show 
restraint within a song is a highly overlooked, but very important quality of a 
great composer.  Although Blue Theme rocks, it is a bit too loud for my 
preferred tastes, but perhaps, that's what was needed.  Also wish the Theme had 
more melodic variation with some softer interludes.  Parts of the soundtrack 
are a bit loud and heavy with reduced delicacy, but hey, can't complain too 
much given the type of movie this score is for.

Verdict (for now)
A big thumbs up for me.  If I had to rate it right now, it would be 8/10, 
keeping the type of movie in mind as well as my subjective feelings.  Lots of 
goose pimple moments for me in this soundtrack.  The score still has to grow, I 
know.  Rahman has set the bar high for an action score with extremely 
thrilling, entertaining, fun, rocking numbers high in substance and style both. 
 Congrats, AR! 


   


      

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