Thanks for the compliments, Prakash.  Your observations are very sharp.  
Although I do miss extended musical interludes in Blue, the lush orchestration 
and intricate arrangements are simply mindblowing!!!!!!  Oh, one more relative 
weakness in the soundtrack.... raw melody.  Remember, I said RELATIVE!!!!!!



--- In [email protected], Prakash Balaramkrishna <prakysn...@...> 
wrote:
>
> Good Review Chord. 
> 
> "I would have liked to have heard more more interludes and variations in
> Chiggy, Fiqrana, and Yaar Mila, esp Yaar Mila, which I found lacking in
> terms of instrumentation and arrangements, but perhaps, that was the
> intended purpose."
> 
> Agree. In fact IIRC you've mentioned lack of instrumental interludes as a 
> weakness in all your reviews from Jodhaa Akbar to Blue. I second your views . 
> Baradwaj rangan, the critic went to the extent of calling them as 
> half-hearted interludes from Rahman. Delhi 6 was probably an exception as it 
> had some great instrumental ludes in almost all the songs. But of late the 
> vocal ludes and chants were dominant and instrumental ludes have become a 
> rarity. Hope you won't mention this point as a negative when you review 
> Raavan's music :)
> 
> And your writing is good & articulate. Trust me. You can have a competent 
> career as a Writer too. Keep up the good work.
> 
> Drowning into Blue's Music. 
> 
> 
> 
> 
> 
> ________________________________
> From: ichord <purev...@...>
> To: [email protected]
> Sent: Wednesday, September 9, 2009 5:50:15 PM
> Subject: [arr] My First Blue Review
> 
>   
> This is not a song by song review, though I will mention songs, but merely my 
> thoughts after several complete run throughs of the whole album.
> 
> Some ARR soundtracks are serious/classy/ melancholic, while others are 
> commercial/fun/ peppy/.  Blue clearly falls in the latter.
> 
> But, Blue is no lightweight when it comes to Rahman's core strengths in 
> delivering a score for a adventure/action/ thriller movie.  In fact, we have 
> not seen AR do much of these types of scores in the past, esp. up North. As 
> someone posted earlier, you cannot expect a much better score given the type 
> of movie/script.  Anthony D'Souza as extracted well from AR. 
> 
> What I like about Blue:
> What a thrilling album!!!!  Entertaining and rocking to the core!!!  Songs 
> are instantly likeable, catchy, thumping! But, what makes the album even more 
> interesting is the substance behind the style...the lush orchestration, new 
> sounds, complex arrangements, mostly electronic bells and whistles.  Chiggy's 
> combo of hip hop and Bhangra is seamlessly transitioned with incredibly sexy 
> words and voice intonations by Kylie.  Sonu does his part with good aplomb 
> and spirit.  I heard some great interludes in Rehnuma, Bhoola Tujhe, with 
> Rahman's briiliant use of the Chennai Strings Orchestra.  Rashid Ali shines 
> in Bhoola Tujhe with the lusth backdrop of acoustic guitar and lush symphonic 
> arrangements, highlighted by a beautiful trumpet solo melody interlude and 
> backdrop later.  The use of piano in a jazzish/latin flavor in Aaj Dil is 
> nothing short of remarkable and brilliant.  Love the loopy rhythm guitar in 
> Aaj Dil too.  Singing is stylish, passionate, and very
>  convincing.  Fiqrana bosts of some extremely likeable rhythms and guitar 
> riffs with a great performance by Vijay Prakash, who shows his versatility 
> after a semi classical outing in Yuvvraaj.  You missed a good one, Farhan.  
> And Shreya shines throughout the album with her sexy, sensual, silky 
> voice!!!!   Sonu's parts are also well substantive and I don't think you'll 
> hear him complaining much this time around!  I love the raaga parts of Blue 
> theme with the female voices and the guitar riffs and rocks are just jolting 
> in that one.  Love the underwater sound in the end.  Rehnuma strikes me as a 
> song that AR would compose had Farhan Akhtar done a movie with him, mild 
> traces of SEL's Don's music here in terms of mood and chord progressions, but 
> nothing at all copied.  A very James Bondish number as my friend pointed out. 
>  Udit and Madhushree do a light hearted but fun tune in Yaar Mila, with 
> minimalistic sound, but with nice melody.  I feel that the lyrics
>  are overall average, but perhaps apt.
> 
> The album boasts of spontaneity, pazzaz (sp?), and some of the most rocking, 
> thrilling, entertaining numbers our Boss has delivered with lush sounds with 
> such a variety of genres here and new trends.
> 
> What I don't like about Blue:
> Well, some of the rhythm tracks are a bit straightforward. I would have liked 
> to have heard more more interludes and variations in Chiggy, Fiqrana, and 
> Yaar Mila, esp Yaar Mila, which I found lacking in terms of instrumentation 
> and arrangements, but perhaps, that was the intended purpose.  The ability to 
> show restraint within a song is a highly overlooked, but very important 
> quality of a great composer.  Although Blue Theme rocks, it is a bit too loud 
> for my preferred tastes, but perhaps, that's what was needed.  Also wish the 
> Theme had more melodic variation with some softer interludes.  Parts of the 
> soundtrack are a bit loud and heavy with reduced delicacy, but hey, can't 
> complain too much given the type of movie this score is for.
> 
> Verdict (for now)
> A big thumbs up for me.  If I had to rate it right now, it would be 8/10, 
> keeping the type of movie in mind as well as my subjective feelings.  Lots of 
> goose pimple moments for me in this soundtrack.  The score still has to grow, 
> I know.  Rahman has set the bar high for an action score with extremely 
> thrilling, entertaining, fun, rocking numbers high in substance and style 
> both.  Congrats, AR!
>


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