This exercise of compiling list of Rahman's religious / spiritual / sufi offerings was done earlier on the group and someone can unearth the links, however here are few more,
Roshan huyi raat, wo aasama se utarkar....... SAPNAY Ek Onkaar, satnam....... RDB Marhaba ya mustafa....... Al Risala Entire album of Deen Isai Maalai And in Spiritual or Sufi genre, if we can include Indian classical as part of it, then the major part of CONNECTIONS album can qualify, I guess... Best regards Dinesh Vaidya Pune --- In [email protected], "patevis3" <vishal1...@...> wrote: > > http://vishal12.wordpress.com/2009/10/29/a-r-rahmans-spiritual-canon/ > > > A R Rahman has experimented, quite successfully, with myriad musical genres. > But when it comes to spiritual songs, he likes to leave them untainted by not > adding a lots of bells and whistles and rely heavily on the core melody > itself. > > I don't think any other music director (in Bollywood, if not in India) has > given us more "spiritual" songs than the maestro. I like to call them > spiritual songs, as opposed to religious or devotional, because although > majority of these songs have either Islamic or Hindu flavor, I find them > universally appealing and elevating. Here's a list of my favorites from this > genre: > > * Khwaja Mere Khwaja Jodha Akbar > > This song was dedicated to the Hidalwali (Saint of India) Khwaja > Ghareeb-un-Nawaz, and was rendered by A R Rahman himself. He one mentioned in > an interview that this song is very close to his heart, and you can feel his > sincerity in the way he has sung this beautiful song. The soul stirring > instrumental (Oboe) version of this song gives me goosebumps every time I > hear it. > > [Trivia: The lyrics of this song were not written by Javed Akhar - who wrote > all other songs of this movie - but by someone named Kashif.] > > > > * Arziyan Delhi 6 > > Backed by harmonium, tabla and continual gentle claps, this mesmerizing > qawwali is like an ode to the Islamic culture of Old Delhi. Javed Ali, along > with Kailash Kher, does full justice to Prasoon Joshi's meaningful lyrics and > A R Rahman's magical tune. > > > > * Piya Haji Ali Fiza > > This was the first Sufi-style qawwali that A R Rahman composed for a movie. > For Khuda ke vali (God's friend) Haji Ali, to be specific. Shaukat Ali's > beautiful lyrics give a glimpse of how Islam, the monotheist religion, has > blended with the local cultures in India: Yahaan hindu muslim sikh isaai faiz > paate hai. > > [Trivia: This song was performed by Ghulam Mustafa brothers, Srinivas and A R > Rahman. Can you identify which lines are sung by Srinivas?] > > > > Apart from the obvious Sufi semblance, muqaddar/taqdeer/kismat is another > connecting link between the aforementioned songs: Arziyan (Marammat muqaddar > ki kar do maula), Khwaja Mere Khwaja (Bekasoor ki taqdeer, tune hai saNwaari) > and Piya Haji Ali (Bigadi kismat aap ke dar par saNwarti hai). > > * Al Maddath Maula Mangal Pandey: The Rising > > Unlike the three songs mentioned above, this one has a high tempo, an > adrenaline rush and a dark tone of impending calamity. Murtuza, Qadir and > Kailash Kher sing this song with a fervor, with intermittent devout > spine-tingling calls to maula by A R Rahman. > > [Trivia: Murtaza and Qadir are the same Ghulam Mustafa brothers from Piya > Haji Ali. They also accompanied A R Rahman in Tere Bina from Guru, and > rendered 'Doston se joothi-moothi' in Chupke Se song from Saathiya.] > > > > * O Paalanhaare Lagaan > > There are actually two versions of this song. One sung by Lata Mangeshkar and > Udit Narayan, and the other with an additional female singer. It's the latter > version that was used in the movie (to distinguish the lines picturized on > Gauri and Bhuvan's mother). But I prefer the former one, with Lata's aging > yet divine voice accompanied by mellifluous flute and subtle sounds of temple > bells. Here's the version that was used in the movie. > > > > * Noor-Un-Ala-Noor Meenaxi > > Written by the great painter and inept director, M F Hussain, this addictive > qawwali raised a controversy because some Muslims got offended (I think the > song uses a phrase from Quran to praise the beauty of a mere mortal: > Meenaxi). And guess who are the singers of this qawwali? Murtaza and Qadir > again! > > > > * Man Mohana Jodha Akbar > > As I wrote in my review of Jodha Akbar's music, add Mira's pangs of > separation (from Krishna) to Radha's passion (for him) and you get the recipe > for this devotional song. The way Bela Shende has rendered this bhajan - her > unflattering voice and command over the highs and lows of the song leaves you > wondering why she doesn't get more offers as a singer. (Isn't Kangna Re from > Paheli is her only other song?) > > > > * Ek Tu Hi Bharosa Pukar > > Lata and A R Rahman joined hands only four times, and the result is always > breathtaking. The tune of this song was originally composed for a concert in > Malaysia and later used for this movie. > > > > * Zikr Bose: The Forgotten Hero > > This song is something else! I can't really describe the elevated sense of > euphoria that it evokes. One shouldn't merely listen to this song, one should > experience it. Since I am not a religious person, I attribute the effect of > the song to the music (as opposed to its meaning). > > > > * Ishwar Allah 1947 Earth > > The secular message of this melancholic number is in the form of a series of > questions to the almighty. It's played in the background when the > end-credits roll, and I think that was a perfect way to end this movie a > story of savagery and violence narrated by a Parsi girl. > > ------ > > Regards, > > Vishal > http://vishal12.wordpress.com/ >
