Film to tell love story about water

Activist, filmmaker hope project will raise awareness about precious
commodity

BY CHRIS COBB, THE OTTAWA CITIZEN JUNE 7, 2010



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  [image: Canadian activist Maude Barlow and Indian filmmaker Shekhar Kapur
have teamed up on Paani, a mainstream movie that highlights issues
surrounding the world's water supply.] <javascript:void(0);>

 Canadian activist Maude Barlow and Indian filmmaker Shekhar Kapur have
teamed up on Paani, a mainstream movie that highlights issues surrounding
the world's water supply. *Photograph by: *Photo by Andreas Rentz, Getty
Images, The Ottawa Citizen

Maude Barlow is going Bollywood.

The veteran Canadian activist and internationally-renowned campaigner
against creeping corporate control of the world's dwindling fresh water
supplies, has won the admiration of Indian movie director Shekhar Kapur and
the prospect a blockbuster world stage for her cause.

Kapur, one of Bollywood's most acclaimed directors, attracted the
international spotlight for his two English-language period movies Queen
Elizabeth 1 and the Academy Award-winning sequel Elizabeth: The Golden Age,
both starring Cate Blanchett. The first made her an international star.

In November, Kapur starts shooting Paani, a love story about water -- Paani
is the Hindi word for water.

Kapur calls it his "passion project" and credits Barlow's book Blue Covenant
for giving him a major piece of inspiration. The movie, set three decades
from now in Mumbai, asks the same fundamental question that Barlow has been
asking for years: "What happens when the water runs out?"

Kapur found Barlow after meeting documentary maker Irena Salina and seeing
her film Flow.

"I have been wanting to make this movie for a long time," Kapur said. "Irena
said 'you have to read Maude's book.' Blue Covenant was the spark that
coalesced the idea."

Barlow says she's thrilled at the prospect of working on the movie and Kapur
has asked her to be an adviser -- to help him keep the serious message from
getting lost.

"I introduced him to what's happening with the privatization and corporate
control of water and the struggle to keep it public," she said. "He told me
that I had given him a big piece in the puzzle. He wants Paani to be more
than a science fiction film but one that is about the true place we're
headed to if we don't change course."

For Barlow and other water activists the prospect of a mainstream movie
devoted to their cause is major boost.

"It's a whole other vehicle and whole new venue for telling the story," said
Barlow

"We're hoping to reach a whole new audience with Paani -- people who think
water comes from a tap or a plastic bottle. Lots of people are blissfully
unaware of this as an issue. So getting a movie made by the best of the best
is really exciting for us."

Kapur says he has been thinking about making a water-related movie for a
dozen years. "It's difficult to know where it started," he said. "A rural
Indian politician once said: 'The people in the cities, in one flush of
their toilet, let go as much water as rural families get in a whole day.' So
that triggered it.

"And I have a friend on the 20th floor of a building in an upscale area of
Mumbai and he would take a shower for hours. Alongside this upscale area are
slums where you can see 30 or 40 women and little girls lining up for the
water tankers to come. And the water tankers are charging 100 times more
than they should.'

Paani, which is being partly funded by the European crystal and optical
company Swarovsky, is an old fashioned love story between a young man and
woman who live in distinctly separate worlds -- she the daughter of a water
firm owner in the Upper City where the wealthy live with plenty of water to
spare. He lives in the lawless Lower City, a waterless slum run by lawless
gangs.

"Before I created the love story," said Kapur, "I thought about what kind of
world we will be living in. I wanted to create a city that is representative
of the whole world. My lower city is the portion of the real world that has
got left behind."

Kapur wants Paani to be an independently-funded movie.

"The Hollywood studio system tends to iron out a movie to take all the
wrinkles out," added Kapur, "but I think that with certain films, what
actually works are the wrinkles. So I have tried very hard to keep it out of
the studio system because this is a film about people living with jagged
edges."

But he doesn't apologize for using Hollywood's favourite cliché. "The great
thing about love," he said, "is that it is not only the greatest cliché in
the world it is the most natural, attractive and normal cliché. The audience
identify with the relationships they see on screen."

But the message will be clear, he added. "What do you do when 20 million
people are thrown together and they are running short of water. Where do
they go? Those who are powerful will eventually start to protect their water
with arms."

Kapur has written the first draft and the script is now in the hands of
British playwright David Farr.

Kapur has some heavy hitters on his side -- his friend and Slumdog
Millionaire director Danny Boyle is a co-producer. A.R. Rahman, who wrote
the music for Slumdog, will write for Paani and John Myhre the Academy Award
winning designer (Chicago and Memoirs of a Geisha) is also signed up.

The male lead will be Indian superstar Hrithik Roshan with Kristen Stewart
rumoured to be in line to play his love interest.
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