Hola todos,

Reitero la invitación y reenvío algunos datos de el Worldwide Tuning  
Meditation, cuya descripción e invitación envié antes.

Ver aquí: http://www.mail-archive.com/[EMAIL PROTECTED]/ 
msg00182.html

Agradezco a quienes planeen asistir, que confirmen su asistencia a  
esta dirección de correo:

formante [arroba] gmail [punto] com

gracias

dp

Inicio del mensaje reenviado:

> De: "Lisa Barnard" <[EMAIL PROTECTED]>
> Fecha: 20 de agosto de 2007 9:52:18 PM GMT-05:00
> Para: <[EMAIL PROTECTED]>
> Asunto: Pauline Oliveros' Worldwide Tuning Mediation synchronous  
> events
>
> Thank you all for your inquiries for having your own or joining a  
> synchronous event of the Worldwide Tuning Mediation!  Below you  
> will find a confirmed list of groups that have formed and will form  
> events in their locations.  If you would like to contact them for  
> more information I have provided their email.
>
> Please let us know if you indeed have plans to hold your own  
> event!  We would love to include you as participants. The score is  
> online and we welcome you to facilitate a group!  I’m looking  
> forward to “tuning” with all of you very soon!
>
> Best,
> Lisa Barnard
> Research Assistant/Events Coordinator
> Deep Listening Institute
> www.deeplistening.org
> 845-338-5984
>
> Radio stations/groups contributing include Lemurie TAZ(Czech  
> Republic) reboot.fm (Berlin, Germany) RadioCorax(Halle, Germany),  
> Neighborhood Public Radio (San Francisco, United States), sounDart 
> (United Kingdom), and sites in Minneapolis, Montreal, and two hours  
> north of Toronto (Collingwood).
>
> The Montreal location is led by Kathy Kennedy  
> ([EMAIL PROTECTED])
> North of Toronto (Collingwood) is led by Julia White  
> ([EMAIL PROTECTED])
> Minneapolis is led by Marc Jensen ([EMAIL PROTECTED])
>
> Lincoln Center Out of Doors presents
>
> Pauline Oliveros’ The World Wide Tuning Meditation
> Tuesday, August 21 at 7 pm, Free Admission
> Damrosch Park in the South Plaza, NYC
>
> In cooperation with Deep Listening Institute in Kingston New York,  
> Lincoln Center Out of Doors will host over 1000 voices to perform  
> noted composer Pauline Oliveros’ World Wide Tuning Meditation. The  
> World Wide Tuning Meditation is an interactive "sound-a-long" in  
> which the audience becomes an instrument. The audience voices at  
> Lincoln Center will blend together with a broadcast of voices from  
> 8 additional locations around the world to blend together to make  
> beautiful music informed by Oliveros’ score. The Tuning Meditation  
> is a unique sonic event which Oliveros describes as “a gesture of  
> sonic peace.” Oliveros supplies the score, you supply your tone.
>
> Voices from remote locations will be broadcast via free103point9’s  
> online radio transmission. With the technical support of  
> free103point9’s Executive Director Galen Joseph-Hunter and  
> transmission artist Tom Roe, Oliveros will lead the voices of  
> Lincoln Center with the voices of 8 additional locations to be  
> broadcast into Damrosch Park. Remote locations include radio  
> stations such as Neighborhood Public Radio in San Francisco,  
> Soundart Radio atDartington College in the United Kingdom, Lemure  
> TAZ in the Czech Republic, reboot.fm in Berlin Germany, RadioCorax  
> in Halle Germany and other locations around the world to be announced.
>
> Everyone is invited to participate in this unique event at Lincoln  
> Center and no experience is necessary.
> For more information, to view the score and to sign up, visit the  
> Deep Listening website www.deeplistening.org.Listen to the Live  
> Online Radio Webcast at free103point9.org.
>
> Following the Worldwide Tuning Meditation under the band shell,  
> audience members will also be treated to the EHRES (Extreme High  
> Risk Entertainment System) featuring Oliveros in a quartet of  
> performers — Ione (spoken word/electronics), John D. S. Adams  
> (modular electronics), Norman Adams (cello/electronics) and  
> Oliveros (accordion/electronics) — employing a groundbreaking  
> system of acoustic and electronic interconnections for live  
> performance. EHRES creates multilayered networks of connections  
> allowing all sounds to be shared, processed and distributed to a  
> multi-channel sound system.
>
> Lincoln Center Out of Doors is sponsored by Bloomberg and PepsiCo  
> Inc. with additional generous support from foundations,  
> corporations, individuals and government agencies.
>
> Bios
> Pauline Oliveros, composer, performer and humanitarian is an  
> important pioneer in American Music. Acclaimed internationally, for  
> four decades she has explored sound -- forging new ground for  
> herself and others. Through improvisation, electronic music,  
> ritual, teaching and meditation she has created a body of work with  
> such breadth of vision that it profoundly affects those who  
> experience it and eludes many who try to write about it.
>
> Oliveros has been honored with awards, grants and concerts  
> internationally. Whether performing at the John F.Kennedy Center in  
> Washington D.C., in an underground cavern, or in the studios of  
> West German Radio, Oliveros' commitment to interaction with the  
> moment is unchanged. She can make the sound of a sweeping siren  
> into another instrument of the ensemble. Through Deep Listening  
> Pieces and earlier Sonic Meditations Oliveros introduced the  
> concept of incorporating all environmental sounds into musical  
> performance. To make a pleasurable experience of this requires  
> focused concentration, skilled musicianship and strong  
> improvisational skills, which are the hallmarks of Oliveros' form.  
> In performance Oliveros uses an accordion which has been re-tuned  
> in two different systems of her just intonation in addition to  
> electronics to alter the sound of the accordion and to explore the  
> individual characteristics of each room.
>
> Pauline Oliveros has built a loyal following through her concerts,  
> recordings, publications and musical compositions that she has  
> written for soloists and ensembles in music, dance, theater and  
> inter-arts companies. She has also provided leadership within the  
> music community from her early years as the first Director of the  
> Center for Contemporary Music (formerly the Tape Music Center at  
> Mills), director of the Center for Music Experiment during her 14  
> year tenure as professor of music at the University of California  
> at San Diego to acting in an advisory capacity for organizations  
> such as The National Endowment for the Arts, The New York State  
> Council for the Arts, and many private foundations. She now serves  
> as Distinguished Research Professor of Music at Rensselaer  
> Polytechnic Institute and Darius Milhaud Composer in Residence at  
> Mills College. Oliveros has been vocal about representing the needs  
> of individual artists, about the need for diversity and  
> experimentation in the arts, and promoting cooperation and good  
> will among people.
>
> Deep Listening Institute, Ltd. fosters a unique approach to music,  
> literature, art and meditation, and promotes innovation among  
> artists and audience in creating, performing, recording and  
> educating with a global perspective. The Deep Listening Institute  
> fosters creativity in artists of all ages and levels of artistic  
> development by holding workshops, retreats, summer camps and after  
> school programs; performing and publishing new work; and developing  
> new performance technologies.
>
> free103point9 is a nonprofit arts organization focused on  
> establishing and cultivating the genre Transmission Arts by  
> promoting artists who explore the transmission spectrum as a medium  
> for creative expression.
>
> Galen Joseph-Hunter, Executive Director free103point9
> Guiding free103point9's transition to a nonprofit organization,  
> Galen Joseph-Hunter has served as Executive Director since 2002.  
> Simultaneously, she has worked at the venerable video art  
> organization Electronic Arts Intermix (EAI) since 1996. Over the  
> past ten years, she has organized numerous exhibitions and events  
> internationally including Video Jam (2001), co-curated with Michael  
> Rush, at the PBICA, FL; Video Windows (2001) at the Stefan  
> StuxGallery, NY; Interactions (2002), co-curated with Lori Zippay,  
> at the NY Center for Media Arts; Memory of Temptations (2002) at  
> EdiciónMadrid, Spain; The Workshop of the Film Form, 1970-77  
> (2004), co-curated withLukasz Ronduda, EAI, NY; Airborne
> (2005) in collaboration with and at the New Museum of Contemporary  
> Art, NY; Spectral Garden (2006) free103point9 Wave Farm, Acra, NY;  
> and [silence] (2007), co-curated with Dylan J. Gauthier, at  
> Gigantic ArtSpace, NY.
>
> Tom Roe is a sound transmission artist sometimes known as DJ Dizzy.  
> Roe performs with transmitters and receivers using multiple bands  
> (FM, CB, walkie-talkie), as well as prepared CDs, vinyl records,  
> and various electronics. He creates radio soundscapes using locally  
> available frequencies, often to the beat of manipulated pop song  
> samples. Roe has exhibited widely both in the United States and  
> internationally. Roe has led many of free103point9's "Radio Lab"  
> education lectures and workshops, speaking about how to perform  
> with transmitters and the history of radio performance and  
> microcasting at venues such as Columbia University, Brown  
> University, Brooklyn College, Flux Factory, The Kitchen, NYU's ITP  
> Program, Kids Discover Radio in East Harlem, Grassroots Media  
> Conference at The New School, RPI University in Troy, and other  
> locations
>
>
>

Daniel Andrés Prieto García
http://wwwprof.uniandes.edu.co/~d-prieto
http://dopu.blogspot.com

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